A Quote by Richard Benjamin

I always say that you should remake flops, not hits. — © Richard Benjamin
I always say that you should remake flops, not hits.
I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.
When I started my career, I gave four flops, and then four hits, two flops, two hits, and then three flops.
Hits and flops will always be there for any actor.
I always had a fair share of hits and flops.
More than the hits, flops will have an impact on my career. In fact, flops helped me shape my career. They made me look at things from a different angle.
Hits and flops are overrated.
So if radio flops, and MTV flops and everything flops, it doesn't matter, as long as we're still playing and kids are coming to our shows.
I've been part of the biggest hits and flops.
You learn more from the flops than from the hits.
When people say they take hits and flops in their stride, I personally feel that they are just lying. Of course, I'm upset when my movies flop. I take it very personally.
Hits and flops are part and parcel of movie business.
The friends that have it I do wrong Whenever I remake a song, Should know what issue is at stake: It is myself that I remake.
I remember I would always joke among my friends about a remake of 'Point Break'. I would say, 'You know what? Whenever there's a remake of 'Point Break', I'm going to do it.'
Hits and flops happen in everyone's careers. Be it an actor or a filmmaker, you can't let that affect your conviction.
Usually I am not overexcited about hits or down in the dumps for flops. I maintain a degree of equilibrium.
I've said it before, and I'll say it again: I think it's really important to remake things. If you never remake the classics, no one would know Shakespeare.
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