A Quote by Richard Betts
... When I heard "Pride and Joy" by Stevie Ray Vaughn on the radio, I just said "Hallelujah" .. he was just so good and strong and he would not be denied... he single handedly brought guitar and blues oriented music back to the marketplace
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White artists have made millions of dollars off music they stole from black artists. I don't blame all the white artists. I'm a huge Stevie Ray Vaughn fan, and he was always very gracious about where he learned his music. But a lot of the time, you'd think the white guys thought it up. Hey, hasn't anyone heard of Muddy Waters?
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
I really liked Stevie Ray Vaughn, so hey - I tried to look like him.
When I saw Santana for the first time, I was really inspired. Same with Stevie Ray Vaughn.
All my influences go into a pot like a big ole stew, and it tastes like all the years I spent trying to play the guitar like Stevie Ray Vaughn. It tastes like Allman Brothers and Lynyrd Skynyrd. And if it comes out bluesy, then so be it.
I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
Music is in Mississippi's DNA, whether it's the blues, country music, folk, or rock 'n' roll. It's not just a source of cultural pride, but also a strong contributor to our economy.
I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
There's a lot of women in blues music, lots of strong women and that sort of stuff. It's not the first thing that comes to mind when you think about blues. There were a lot of powerful blues guitar players in the olden times that were women. It's just that when you think about blues, you have this one image in your mind.
Creating music to fit the marketplace, so that music can be heard? If ever I thought that I even came close to catering to the marketplace, or designing my productions and my music to cater to what is currently fashionable, I would sell shoes for a living. For me, the marketplace can rot in hell. I will do music for the love of music and for the love of people who listen to music, and absolutely nothing else will drive me.
I'm just a kid, Chiron," I said miserably. "What good is one lousy hero against something like Kronos?" Chiron managed a smile. '"What good is one lousy hero'? Joshua Lawrence Chamberlain said something like that to me once, just before he single-handedly changed the course of your Civil War.
I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.
I was inspired to play electric guitar from listening to a lot of Carlos Santana, Stevie Ray Vaughan, and B.B. King, and that's always been the kind of music that I gravitate toward.
I grew up listening to pop music with my dad in the car, and we'd just listen to Stevie Wonder, Al Green, Earth Wind & Fire, KC and the Sunshine Band - all that good stuff. So to see it snaking its way back around again is really exciting, and I love listening to the radio.
You don't have to play a whole lot of guitar to be a good blues player. Some people plays too much guitar. Stack it on top of each other the way it don't - you're working too fast. Blues not supposed to be played fast. Blues supposed to be played slow. You could kill a man with just one chord.
If T-Bone Walker had been a woman, I would have asked him to marry me. I'd never heard anything like that before: single-string blues played on an electric guitar.
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