A Quote by Richard Blanco
Artists are the emotional historians of the world.
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It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
Part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.
Ultimately, it comes down to taste. It comes down to trying to expose yourself to the best things that humans have done and then try to bring those things into what you're doing. Picasso had a saying: good artists copy, great artists steal. And we have always been shameless about stealing great ideas, and I think part of what made the Macintosh great was that the people working on it were musicians and poets and artists and zoologists and historians who also happened to be the best computer scientists in the world.
Biographers use historians more than historians use biographers, although there can be two-way traffic - e.g., the ever-growing production of biographies of women is helping to change the general picture of the past presented by historians.
Two main groups like to drop the readymade bomb—galleries and art historians. Galleries love to drop the Duchamp brand because dealers can try to convince clients of an artist’s worth just by mentioning the mouthwatering response readymade. Most Art Historians aren’t interested in what artists are making in Bushwick studios, most of whom rarely wake up with Duchamp on the brain.
Most academic historians accept that historians' own circumstances demand that they tell the story in a particular way, of course. While people wring their hands about 'revisionist' historians; on some level, the correction and amplification of various parts of the past is not 'revisionism' as it is simply the process of any historical writing.
Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn't been computer science, these people would have been doing amazing things in other fields.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
I thought, 'A biennial needs artists. I'm going to do an international biennial; I need artists from all around the world.' So what I did was I invented a hundred artists from around the world. I figured out their bios, their passions in life and their art styles, and I started making their work.
Historians will consider this a dark age. Science historians can read Galileos technical correspondence from the 1590s but not Marvin Minskys from the 1960s.
There's certain artists that are meant to have certain paths and go the way of the corporate world. And then there are artists who are artists.
If physicists could not quote in the text, they would not feel that much was lost with respect to advancement of knowledge of the natural world. If historians could not quote, they would deem it a disastrous impediment to the communication of knowledge about the past. A luxury for physicists, quotation is a necessity for historians, indispensable to historiography.
The way my brain works, it created me thirsty. From the off, I was a sponge for information that had emotional connotations, I think that was it. I was brought up to see the world as emotional, and anything that I could get my hands on that helped me explore that emotional stuff, I was fascinated by.
An artists job is to see. And to go out in the world and see it firsthand, just as it is; to report with line and words what is seen. To be in the world, not just study about the world, that is the artists task
Science will...produce the data..., but never the
full meaning. For perceiving real significance, we
shall need...most of all the brains of poets, [and]
also those of artists, musicians, philosophers,
historians, writers in general.
As historians, we spend days in archives, gazing at account books. We train would-be historians in the arts of deciphering letters and documents, early Latin, scribal handwriting, medieval French.
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