A Quote by Richard Bonynge

Don't talk to me about Freud. I'll go up the wall! — © Richard Bonynge
Don't talk to me about Freud. I'll go up the wall!
Very few people have actually read Freud, but everyone seems prepared to talk about him in that Woody Allen way. To read Freud is not as much fun.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
The thing about humour is that the super-ego is also at play, so what interested me, particularly in the last chapter which is key to the book -and no one seems to have picked this up in writings on Freud - is that, in the later Freud, the essence of humour is the ability to look at myself and find myself ridiculous. That makes me laugh.
Is there a brick wall getting in your way? Fine. That happens. But you have a choice. You can walk away from the wall. You can go over the wall. You can go under the wall. You can go around the wall. You can also obliterate the wall. In other words, don't let anything get in your way. Get a balance, and then let the positive outdistance the negative.
I will always try to share my faith with any person who is willing to listen. When I feel a wall go up, we can talk about something else... and I will pray for you.
But I think what made me go into theater was seeing my mother onstage. The first thing she did was Mrs. Frank in 'The Diary of Anne Frank.' The second thing she did was a play about Freud called 'The Far Country.' She played a paralyzed woman in Vienna who goes to see Freud.
When a friend calls to me from the road And slows his horse to a meaning walk, I don't stand still and look around On all the hills I haven't hoed, And shout from where I am, What is it? No, not as there is a time to talk. I thrust my hoe in the mellow ground, Blade-end up and five feet tall, And plod: I go up to the stone wall For a friendly visit.
The last thing in the world I should have done was go into the theater because was inordinately shy as a young man. I couldnt open my mouth. At a party, I was the one stuck up against the wall. I was embarrassed about talking. I felt that I couldnt talk well.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
I can't talk on the radio at all. When the red light comes on, my hands go up in the air: I think they're trying to get to my face, to shut me up. I don't talk on stage for the same reason.
Me with diabetes, when I talk about it, it lifts people up. When I talk about how people need to take their insulin shots, it make people go take their shots. My words is like a damn preacher.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
you come home, and everyone talks at once and everyone asks questions, but no one waits for the answers.Instead they talk about themselves, what they've been up to, what they're going to do next, as if you're a photo on the wall.And then they talk to one another, forgetting you've jsut flown in, forgetting you're in the backseat, forgetting they've already said it all.
I'm hardly a known name, but I don't want to go, like, 'Oh, people call me a storyteller comedian, let me just go up and just talk about my day.' I don't want that to happen.
When we talk about power, we talk about Wall Street.
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