A Quote by Richard Brake

Any filmmakers out there want a Welshman with sharp cheekbones and wonky teeth to play the love interest in their movie, give me a call. — © Richard Brake
Any filmmakers out there want a Welshman with sharp cheekbones and wonky teeth to play the love interest in their movie, give me a call.
I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."
I'm a curious person. I pursue things based on what sparks my interest. I'm not thinking about what role I play. I don't have to be a movie director or this or that. I just want to be part of projects and places that are of interest to me.
We also want to invest in the next generation of filmmakers. There have been hundreds of these filmmakers that have called us saying "Can we intern with you? Can we mentor under you?" And we want an opportunity to do that, as well. So, for those two reasons, we talked with our pastor and he gave us his blessing to kind of launch out and grow the movie ministry that we have.
The movie studios, they only like to make - I make a joke, but it's true - if the movie has the word "man" and a number in the title, they'll make it. If it doesn't have that, it's an R-rated raunchy comedy, and that's it. Any other movie that you're going to make is going to be an independent one. So for filmmakers who want to do something other than "man" and a number, it's either independent films or television, which is like the place for real creative filmmakers to go.
People call me for interviews on censorship type topics all the time, like that Gannette interview.I don't hold myself out to be an authority on it, but the reason they call me is that they know that I'll at least open my mouth, and give an opinion, whereas other people will play it safe, and won't say anything, because they don't want to offend anybody.
I like filmmakers where, if their film comes on and you step in halfway through it, you can recognize that, hey, this is a Coen Brothers film. Or, hey, this is a Stanley Kubrick movie. You can recognize some filmmakers. Like, if you put on a Sam Raimi movie, you can tell that it's a Sam Raimi movie pretty quickly. I like a signature style that people can recognize and relate to, and connect with. I think that is part of why we seek out certain directors. We want to see how they view the world.
I don't have any interest in going out to clubs. I love people, and I love socializing, I just don't have any interest in being drunk.
When I get to the movie set, I don't need to have a sort of iron fist that a movie is about me and my ideas. A lot of filmmakers don't have that benefit, so when they have their moment to let all that creativity out of them, it's all about them. It's their movie; it's their thing.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
Don't give me any money, don't give me any people, but give freedom, and I'll give you a movie that looks gigantic.
I'm the munter of my friends. I've got wonky teeth and a lazy eye. My friend Rob is disgusted I'm a heart-throb.
A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts they will shine out of your face like sunbeams and you will always look lovely.
I can't stress it enough that we genuinely love 'The Room.' Like I said, I've seen it more than any other movie that's ever been made, and it gets to a point where if a movie is that watchable, when can we just call it a good movie?
The Lighthouse' couldn't have been made without this kind of freedom that is allowed to some filmmakers to be able to play around with genre. Jennifer Kent's 'Nightingale' is more horrific than any horror movie - but also, I don't think you could make that movie without this kind of freedom.
Actresses are usually either the love interest or the glam quotient in a movie, but I play a strong character in 'Dishoom' who is at par with the guys, thanks to director Rohit Dhawan and his out-of-the-box thinking.
When I first went on Britain's Got Talent I was famous for my cheap suit, my wonky teeth and the fact that I sold mobile phones for a living.
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