A Quote by Richard Brake

I can find some part of me that relates to even the most evil characters. At least in my imagination. — © Richard Brake
I can find some part of me that relates to even the most evil characters. At least in my imagination.
You have to find something there that relates to the characters and reality on some level.
I try to be as faithful as possible to the facts as I understand them, but any story is at least partly a product of the imagination. I can comprehend a lot by immersing myself in all of the information I've collected, but my imagination is what brings it to life, and the bridging of that gap - between the received history and the conceived fiction - is both the most difficult and most enjoyable part of the process for me.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
The most unrealistic thing I've ever read in comics is when some group of characters calls themselves the Brotherhood of Evil or the Masters of Evil. I don't believe any character believes their goals to be truly evil.
Some people give themselves over to their most evil desires, and those people becomes evil. But in general, it's reductive to think of evil as something foreign and separate from the rest of us. Evil is part of everyone. We all have the capacity to commit evil acts.
No writer besides Shakespeare has created more memorable characters attached to vices and virtues. In even their least sympathetic characters, one senses a kind of helplessness to passion quivering between the poles of good and evil.
I think even the characters that are fundamentally evil and wrong, I want people to really love them. I think that's important to writing believable characters. They don't have to be likable but they have to be loved, at least by the author.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
I think Cruella is evil, because she's the devil. But all the other characters, I was able to find a common humanity with them somewhere, knowing where they're most fragile, where they're most vulnerable, knowing some of the things that happened to them that might have formed this kind of behavior.
I think characters are going to be, if not a reflection of the author, at least some refraction of some part of their personality.
I have the belief that truly evil people, it's a genetic evil. I only have the experience of exploring the landscape of some of the characters I've played that people have labeled as evil; I don't think they're evil.
Iago is one of the most liked characters in Shakespeare's canon, and he's the most evil, most extraordinarily manipulative person in history. He says the worst, most politically incorrect things, even for the time the play is set in - and yet audiences adore that character.
I find my characters and stories in many varied places; sometimes they pop out of newspaper articles, obscure historical texts, lively dinner party conversations and some even crawl out of the dusty remote recesses of my imagination.
I still find it quite easy to find my way into a child's imagination. We're all Peter Pan ourselves in some respects. Everybody should keep some grip on childhood, even as a grownup.
Water represents to me, the beginnings of life, it is where we come from in our most primordial sense. It relates to some of our deepest subconscious thinking - it's a force we can't really see or understand, we just get glimpses of. But it's a part of us all.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
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