A Quote by Richard Branson

A company is people … employees want to know… am I being listened to or am I a cog in the wheel? People really need to feel wanted. — © Richard Branson
A company is people … employees want to know… am I being listened to or am I a cog in the wheel? People really need to feel wanted.
I would like to direct. I am also happy helping other directors realise their vision. I am happy being a cog in a wheel.
When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.
I do yoga. People think it is easy, just touching your toes. It is hard. But I tend to go with my own flow. It's back to the movement thing. I feel it when I need to train, and I do what I feel I need to do. And when I am in the run-up to a fight, I am really at it the whole time, might be getting my weight down to meet the limit for the division. Soon I am moving up and I am going to be champion in the next one too.
I feel like if I am physically and emotionally able to be at the theater, I will be there. I don't like not being there - I don't like playing hooky. I am just one of those people who feels really, really guilty if I am not there - maybe it's part of being Catholic.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
On the 'Jersey Shore,' people got a glimpse through a keyhole of who I really am. But the world really started to see me on 'Dancing With the Stars.' I am not the best dancer. That was never my strong point. But I wanted to let people know, hey, this kid is risking a lot just to know a different side of him.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
I want people to know that I am not an overnight success, if only to encourage the people who don't feel that they are being successful.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
I want to do more drama. Comedy is the path of least resistance for my company. People know we can do them. People know they get a good response. People want to make them. Who am I to push up against that?
If Obama raises my company's taxes by 20 percent, how am I going to be able to survive as a company? Well, if I've got 30 employees, that means I'm going to have to lay off 10 employees so I can be able to keep up with the health and benefits and pension plans for my other 20 employees.
I wouldn't be able to do the songs as long as I've been doing if I didn't feel the pulse of the world. But I can feel people and I know what they want. I feel like I know how they are, because I am the people. And I just have a gift.
It's the same in the office, the lab, the factory. Employees and coworkers are more productive, more loyal - satisfied and happy - when they are treated fairly, decently, and with dignity than when they are used and taken for granted, when they feel like no more than a tiny cog in a giant corporate wheel.
I feel like I am floating in plasma I need a teacher or a lover I need someone to risk being involved with me. I am so vain and I am so masochistic. How can they coexist?
I am artistic so I reserve the right to change my mind at any point. I just like to do different things. What is more important than the name is that people know that I really like acting, I enjoy it and I want people to know that I am serious.
I feel very strongly about letting people know I'm proud of who I am. I want people to know when they hear my songs it's coming from a specific place. The new record is specifically for us trans women: that we can sing about our pain, being ostracized by our lovers, who are ashamed of us in a way. There's no pop music like that for our community. I wanted to contribute in that way.
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