A Quote by Richard Branson

When I was 15, I left school to start a magazine, and it became a success because I wouldn't take no for an answer. I remember banging on James Baldwin's door to ask for an interview when he came to England. Then I got Jean-Paul Sartre's home phone number and asked him to contribute. If I'd been 30, he might have said no, but I was a 15-year-old with passion and he was charmed. Making money was always just a side product of having a good time and creating things nobody'd seen before.
At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
I remember as a kid being asked if I was Jewish or Irish. I said, like the glib little 15-year-old I was, 'You can be both.' Feeling very pleased with myself. Before they smacked me.
Some people aren't smart enough to understand the intellectual part of a being. That's why as a 30-year-old you don't have a conversation with a 15-year-old. I don't dine with 15-year-olds and talk about life. Our experiences are completely different.
There is an interview given by [ Jean-Paul] Sartre in the USA where he is asked what the future of French literature is, and he replies that the next great writer of the future is [Albert] Camus.
And I start to say, no. Start to ask him to please just take it off and put it away. Start to explain how it holds far too many memories for me. But then I remember what Damen said once about memories - that they're haunting things. And because I refuse to be haunted by mine - I just take a deep breath and smile when I say, "You know, I think it looks really good on you. You should defiantly keep it.
The first job that I booked was a small role in James Franco's film 'Bukowski.' I had to make out with a 13-year-old kid. I think it was his first kiss. I was 15. I became so nervous on set that I actually fainted when James Franco came to direct me.
When I was 14 I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
When I was 14, I used to have a calendar on my wall, crossing the days off until I was 15, because the school leaving age was 15. Then three months before I turned 15 they changed the leaving age to 16.
I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me.
When [Jean-Paul] Sartre was asked whether or not he would live under a communist regime he said, "No, for others it's fine, but for me, no." He said it! So it's hard to say just how intellectual his stance is. How can you think that never in your life would you go to live in a communist regime and still say it's fine for everybody? A very difficult thing, that, but Sartre managed it.
When I was 15 years old, I left school and became a professional boxer.
Every bad decision I've made has been based on money. I grew up in the projects and you don't turn down money there. You take it, because you never know when it's all going to end. I made Cop III because they offered me $15 million. That $15 million was worth having Roger Ebert's thumb up my ass.
I love a statement by the apostle Paul, in the Book of Philippians in the Bible. I think the Corinthians had been writing to Paul, telling him that old men were chasing young women, nobody was tithing - and all that must have run Paul crazy. He wrote back and said, "If there be anything of good report, speak of these things." That's one of my principles.It's another discipline that I encourage myself to employ - to, as much as possible, say the courteous thing, and then be it.
I moved to London when I was 21 and I needed a job. I'd just done a year working in Waterstones in Manchester and I was looking for any old job. This advertisement came up for an editorial assistant on Dora the Explorer Magazine. Because I'd been working in the Children's Department in a bookshop for a year I just nailed the interview.
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
Yes, Manchester United are the best team in England, but you have to ask how good has the Premier League been since I left? If I was at a top club in England I think the title race might have been a lot closer this year.
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