A Quote by Richard Branson

You've got one go in life, so make the most of it. — © Richard Branson
You've got one go in life, so make the most of it.

Quote Topics

Think of what's stored in an 80- or a 90-year-old mind. Just marvel at it. You've got to get out this information, this knowledge, because you've got something to pass on. There'll be nobody like you ever again. Make the most of every molecule you've got as long as you've got a second to go.
I never really looked at it like that, but it's true. It's weird that it's been half my life. Because I lead these two separate lives. I've got my life and Harry Potter, where I travel the world, I make films, I meet amazing people, I do press junkets and stuff. And then I go back home to Leeds, where I live, and I've got the same friends from before. I still go to the pub. I still go to watch the football, soccer. And I go shopping at my local shop.
My biggest advice to people now is that when you go through something traumatic, you've got to go talk to somebody. You've got to be able to understand it, make peace with it inside yourself, and you've got to be able to let it go.
An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It's more important than anyone else could ever be. I don't want to be overly dramatic and say it's the only thing that gets me up and keeps me going. But people in your life come and go. As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I've always been able to rely on.
What I have learned from life is to make the most of what you have got.
I always look at actresses who I most respect, and they make me think that you can make a choice in life. It's whether or not you choose to go down the route of publicising your personal life. I choose not to.
I've learnt that seasons go very fast, so you've got to make the most of your opportunities.
I've got my life and 'Harry Potter,' where I travel the world, I make films, I meet amazing people, I do press junkets and stuff. And then I go back home to Leeds, where I live, and I've got the same friends from before.
I'm a professional athlete. I've been paid since I was in my early 20s to go out there and fight with guys who were 40 or 50 pounds heavier than I am and fight for my life. I got into a business where people make decisions based on some of the most stupid things.
The arts are what makes life worth living. You've got food, you've got shelter, yeah. But the things that make you laugh, make you cry, make you connect - make you love are communicated through the arts. They aren't extras.
In order to bring down the incarceration rate, you've got to start with the beginning of life. You've got to make sure that parents and schools are prepared to prepare young people for success. You've got to deal with the next stage of life. You've got to make sure that people have the opportunity to work at a good job, they have access to good healthcare, and that they have the opportunity to build wealth over time.
I can't go out there and be gassed and trying to go out there and make a play just for individual stats. Got to do the best thing for the team, which is to put myself out there when it's most productive for us.
'Grease' changed my life in the most amazing way, and I've had such an amazing life. When things go wrong, you've got to believe you will get through them and focus on the positive things in your life.
The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist.
I'm emotionally invested in every movie that I do, period, because you've got to make that commitment. You're spending a year, 18 months of your life doing it. I'm invested in all those kinds of pieces. Most of the films I've had in my career have never tested well. I got lucky that sometimes I got supported by studios - or, at least if not supported, tolerated.
And we have got to go back - I will tell you what we have got to do. We have got to go back to the small disciplines that really make a difference in defining ourselves as a profession. And we will.
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