A Quote by Richard Brautigan
I do not care to be esthetically tickled in a fancy theater surrounded by an audience drenched in the confident perfume of culture. I can't afford it.
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I'm quite confident, but I don't fancy myself. I don't really care about how I look.
Avoid fancy words....If you admire fancy words, if every sky is beauteous, every blonde curvaceous, every intelligent child prodigious, if you are tickled by discombobulate, you will have bad time Reminder 14.
Growing up I never had a perfume. I was like oh, one day when I'm grownup and have money I'm going to wear perfume. I had one perfume and I would save it for really, really, really special occasions. Which meant I never actually wore it. So now it's one of those things like, I can wear perfume everyday. I can afford to buy another one, I'm really lucky that I can. Now when I have nice stuff I don't save it anymore, I try to use it.
I hate being tickled. Sure, it makes me laugh, but when I get tickled, I get pissed off. I'm like a monkey when I get tickled - woo-hoo!
The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.
I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
At the core of what I'm doing is a belief in the audience, a belief that populism doesn't mean dumbing down theater, but rather giving the audience a voice and a role in experiencing theater.
I played everything, but the games that kept me up and night and tickled my fancy were the larger role-playing games like 'Ultima.'
In Elizabethan England or classical Athens... theater was at the center of, not culture, but society and politics and religion and civic engagement. Those things have a different audience.
I wasn't a trained actor, I was trained in musical comedy theater, and when you do that, the audience is completely part of the thing. It's like Elizabethan theater. You play the scene, and then you turn - the audience is part of it.
Don't be overwhelmed by a man's fancy car, fancy house or fancy clothes. It's really the person inside the care, house and clothes that matters. By the same token, don't be underwhelmed by a less-than-fancy car, house or clohtes. Women can earn the car and house themselves, and you can always buy your man nice clothes, too.
I cannot tell you that I ever fell in love with the theater as an audience. I fell in love with the theater as an actor for a period of time, but I have struggled as an audience, and I struggle more now than then. I was always a movie guy.
The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments.
Plays have a celebratory nature that no other form has. Theater always meant celebration, a birthday, a reward for good grades. I felt at home in a theater. I loved being part of an audience. All the rules - the audience has to see the play on a certain date at a certain time in a certain place in a certain seat.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I was probably singing before I could talk. Musical theater is my passion. If I could afford it, I would just do dinner theater and live a simple life.
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