A Quote by Richard Burton

You've got to swank in Hollywood. — © Richard Burton
You've got to swank in Hollywood.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
You know what? I never really factor Hollywood into anything. I'm a black actor, so I can't really control what Hollywood thinks. I gotta go do my thing, and my jokes have got to be funny. Whatever I do has got to be great.
We're all complaining about diversity in Hollywood, but we've got to address the colorism within the black community of Hollywood first.
With rare exceptions, Hollywood typically casts Spec Ops guys as macho, swaggering strongmen. As usual, Hollywood's got it wrong.
No-one gets beaten to death quite like Hilary Swank
People are looking more and more to Hollywood for fashion trends: who got dressed in what, and what was on the red carpet. Hollywood is becoming a big advertisement.
I occasionally swank a little because people like it; a modest man is such a nuisance.
Even now, we're surprised by the reach of my mum, so you can imagine our surprise at the interest in my daughter. We got calls from Hollywood companies wanting to do a reality show with her and we thought, 'About what? We're not a Hollywood family.'
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Once you got Hollywood doing these kinds of movies and having all the, how you say, the tools to do it, and also to keep on finding new ways of doing it becomes - Hollywood can be avant garde on what concerns action.
The truth is that I got to Hollywood, and I didn't know what to do once I got there.
He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
Everyone from Pullman porters to hostesses at swank New York parties will tell me they always watch 'Miss Brooks' on Friday night.
Why have a model on the front of your magazine when you can have Kate Winslet, Cate Blanchett or Hilary Swank? Because those girls are intelligent and talented, people are interested.
My first in, my first break, was I met a director and got to talking with her, and she happened to be casting this movie that she had written. That was ten years ago. That got me to Hollywood. I got paid $700 bucks.
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