A Quote by Richard C. Armitage
If you're used to being a maverick, then people don't get surprised when you start acting strangely.
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Usually, those people don't even like actors and they can't wait until they get in the cutting room. They kind of break down in categories: directors who like to be surprised and some of them abhor being surprised. As far as directing, we all direct when we're acting in movies... every single one of us.
One of the questions I often get asked is, "Were you surprised that Trump won?" I always answer the same way: "I was surprised, I am surprised and I will never stop being surprised."
As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.
I try to keep away from being big-headed. That's what causes people to lose the acting thing. They start being commercial, and then they stink for the rest of their lives.
When I went to college, being thin was seen as good, so everyone told me I was normal. Then you get older, and you start putting on weight, and you're like, 'Oh God, I used to be really small.' Then you get into the world of media, and you just feel the pressure massively.
You get a lot of people who are used to the stage and a lot of people who are used to prime time, and they can't keep up with the pace. It's so fast - you have to digest it, regurgitate it, spit it out, and then start over and move on to the next scene.
I believe you have to start with a craft; you don't just start with a dream. You've got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did.
I'm used to people being surprised at how I talk.
With acting, you do want to get every job, and you're trying to get every audition, but then you reach a certain stage where you start to kind of gravitate toward the stories and the people that have a similar heartbeat.
I began acting at age eight, but if you don't stay on your game then people pass on you. Being on a show, it's a little easy to get comfortable, so I'm trying to get back on it. I'm taking some acting classes and watching movies, and I'm just trying to stay up with other actors.
I'm lucky that I got to start acting when I was so young, and people put me in these movies. A lot of people don't get to play these parts because they start a little older.
Black people dance well because we start early - there's music being played everywhere. White people? They don't start dancing until they get to college, and by then, it's too late; the bottom don't move with the top no matter how hard they try.
I'll get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live.
Someone once described me as a maverick and that's what I would say. I'm a maverick not by choice but by conviction.
I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul.
Sadness, seriousness are parts of a psychologically sick man - they need causes. So when you are feeling happy, don't start asking, "Why am I happy?" When you are feeling sad ask why you are sad. But strangely, it has become conventional to our minds that when we are sad we accept it as if it is our nature. And when we are joyous even we are surprised; deep inside we even start worrying: "What is happening to me?"
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