A Quote by Richard C. Armitage
Some of the mail I've had has been weird. When I played Guy of Gisborne, a woman crocheted a mini-version of me.
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I didn't know what to do with the fan mail. I had a little mini, and I used to put it at the back of my mini, and it grew and grew.
When we had ideas that earned there way in [Austin Powers], it began to get okay. The hook for me was 'Mini-Me.' We only auditioned one guy - Verne Troyer - and at the time I said, 'we have to get this guy, get him life insurance, whatever he needs' because there was no other way or actor to do it. It was amazing to me just to talk to him...he was Mini-Me.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I played the mini-tours for a lot of years, and man, you see some weird things out there. There are a lot of desperate people, strange personalities and marginal players, and with that you're going to see some cheating.
I've always played some version of a nerdy guy or something like that. I mean, one of my story lines on 'Silicon Valley' is that I am very bad with women!
I had some pretty weird fan mail growing up, sometimes from prison and wherever else. Nothing too intense. Some superfans that maybe went a little overboard with gifts and whatnot, expecting something other than what it could be with a kid. That's a little weird. But at the same time, it's like, "Hey, I'm getting free video games. I'm not going to return it if you sent it!" Thankfully we never felt unsafe.
I had wanted to make this film [Suffragette] for over a decade. There has never been a cinematic rendition of this story. I had not been taught any of the history of the movement at school, and the version I had gleaned had been the Mary Poppins story of women in large hats, petitioning. There was another version.
As many of the riders before me had been held up and robbed of their packages, mail and money that they carried, for that was the only means of getting mail and money between these points.
This sounds weird, but some of my concerts have been kind of dangerous sometimes. I've had a few girls actually sent to the hospital because they faint and all that kind of stuff, which is really, really weird to me.
I've seen the Tortilla Guy hashtag when I'm going through my Instagram and all of that and I think it's pretty funny. It's weird because I've met this guy before, I know who he is, but he's really kind of elusive, even around our camp. I've had some people tell me, 'Don't tell us who he is. We're having fun trying to figure it out!'
For some reason, I'm the guy people love to hate, which I think is weird. People who know me find that very strange, but for some reason, I am. I don't mind being that guy - I have fun with it.
When I was younger, I played football and table tennis for local teams. I also played mini-rugby at primary school - I was tall for my age - and Preston Grasshoppers wanted me, but I wasn't that interested in rugby. It was always going to be cricket for me.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
My mother had her dresses made. In those days in Chile, the early '70s, people had dressmakers make their things. With the leftovers, my sister and I always had a matching outfit. She had an outfit, we had the mini version. That was the very late '60s, early '70s way to dress your kids.
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
Hollywood is a very interesting place to deal with. And having been a theatre person, I was quite surprised by the slipperiness of some people in Holly-weird. There was a part of me that just said, 'If this is the way the game is played, I'm not sure I want to play it.
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