A Quote by Richard C. Armitage

Te Papa Museum is brilliant. — © Richard C. Armitage
Te Papa Museum is brilliant.
Te Occidere Possunt Sed Te Edere Non Possunt Nefas Est" ("They can kill you, but the legalities of eating you are quite a bit dicier").
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
I should fear the infinite power and inflexible justice of the almighty mortal hardly as yet apotheosized, so wholly masculine, with no sister Juno, no Apollo, no Venus, nor Minerva, to intercede for me, thumoi phileousa te, kedomene te.
Papa didn't cuss, he didn't raise a whole lot of fuss. But when we did wrong, Papa beat the hell out of us.
This is not a museum of tragedy. It is not the museum of difficult moments. It is the museum that says -here is a balanced history of America that allows us to cry and smile.
I said Revolver is my favorite The Beatles album, but only because it came to my head and it's a brilliant one. But they're all pretty brilliant. There's variations, but they're all brilliant, and it just depends on if they're very brilliant, or just a bit brilliant. It changes.
Papa was a man with silver eyes, not dead ones. Papa was an accordion! But his bellows were all empty. Nothing went in and nothing came out.
My mother, along with Papa's other eventual wives - Pauline, Marty Gelhorn, Mary Welch - they all, at one time or another, no matter how angry they were at him at the moment, said, 'Look, Papa is special. He writes so beautifully. We have to let this go on.'
L'homme n'est ni ange ni be" te, et le malheur veut que qui veut faire l'ange fait la be" te. Man is neither angel nor beast.Unfortunately, he who wants to act the angel often acts the beast.
In 'Night At The Museum 3,' with Ben Stiller, I was only given a couple of lines. If you are in guys' comedies, it's not like you are ever going to just get handed some jokes and a brilliant role.
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before. I want also to have enough art references in it that would satisfy the most sophisticated museum goer.
Papa is a very chilled out person. He was very supportive from the beginning. I think Papa helped ease Mama into the idea of me acting. He told her that she seems passionate about it. He was very cool about it.
I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.
I always say to people, 'You know, if Romeo and Juliet got married, nobody would care about them.' Imagine Romeo and Juliet, six kids yelling, 'Mama, Mama, Papa, Papa!'
My education in the arts began at the Cleveland Museum of Art. As a Cleveland child, I visited the museum's halls and corridors, gallery spaces and shows, over and over. For me, the Cleveland Museum was a school of my very own - the place where my eyes opened, my tastes developed, my ideas about beauty and creativity grew.
I think Google's a brilliant company, filled with brilliant people who have done brilliant things.
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