A Quote by Richard C. Armitage
There's a very strong force in Tolkien's characters.
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People sort of accuse Tolkien of not being good with female characters, and I think that Eowyn actually proves that to be wrong to some degree. Eowyn is actually a strong female character, and she's a surprisingly modern character, considering who Tolkien actually was sort of a stuffy English professor in the 1930s and '40s.
The Tolkien estate owns the writings of Professor Tolkien. 'The Hobbit' and 'The Lord of the Rings' were sold by Professor Tolkien in the late '60s, the film rights.
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
I like complex characters. I've been very, very lucky to portray, in these past three years, characters that are strong and fragile at the same time. It's those characters that I'm looking for. In the last year and half I played three different religions, and that allowed me to educate myself so much.
Mirzapur's female characters are very strong, liberated women. Infact, the boys are leaning on us and we are contributing to the plot in a very strong manner.
I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.
When Peter Jackson did The Lord of the Rings trilogy with Fellowship of the Ring, not everyone had read Tolkien, and yet somehow with that scope and the spectacle of that fantasy, people were willing to give it a shot. And when they watched the first one, the characters drew them in and they started understanding the story. And then, all of a sudden, they were The Lord of the Rings fans, even if they never read Tolkien.
The Democratic Party likes to remind people that the Russian force around that was very strong, remarkably strong.
The libertarian approach is a very symmetrical one: the non-aggression principle does not rule out force, but only the initiation of force. In other words, you are permitted to use force only in response to some else's use of force. If they do not use force you may not use force yourself. There is a symmetry here: force for force, but no force if no force was used.
I don't think sexual repression leads to violence, but I can see the situation where you're trying very hard to be very religious and to be good but pornography exerts a strong force on you, and one way to get further away from it would be to immerse yourself in a strong religious system.
I don't try and write strong female characters or strong male characters, I just try and write, hopefully, strong characters and sometimes they happen to be female.
When the U.K. and India collaborate, there is force multiplier, which is very-very strong. The force multiplier with India is much stronger than with many other countries. We get much greater impact and valued research papers when British and Indian scientists co-operate.
Throughout my career, I've always portrayed characters that were humorous, but also weren't afraid to speak their minds, especially when it came to racy or controversial topics. I think this struck a chord with the LGBT community. We both also share a very strong love for animals. When you combine the two, it's a very strong match.
I'm attracted to films that have strong female characters because there are strong female characters in my life. That's my own reality, so it's a doorway into a world for me.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
Most fantasy is incredibly derivative of Tolkien, so when you read a lot of fantasy, it's really just elves and gnomes, and it all goes back to Tolkien.
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