A Quote by Richard C. Armitage

To survive in a profession like this, you have to have absolute discipline and commitment, and I did not quite have it for musical theater. — © Richard C. Armitage
To survive in a profession like this, you have to have absolute discipline and commitment, and I did not quite have it for musical theater.
Absolute freedom is absolute nonsense! We gain freedom in anything through commitment, discipline, and fixed habit.
I love theater. That's what I did in Mexico City. I did a lot of musical theater, and it's where my heart is.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I did a lot of children's theater in Miami Shores. My base musical theater training happened there.
It's quite clear if you look at the actors in film right now, some of them came from theater but they didn't come from musical theater. There's still a bit of a stigma attached to it I would say.
Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.
I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
In 1969, I wrote a musical called 'Mother Earth.' It was a rock musical with an ecology theme. We did it at the South Coast Repertory Theatre in Southern California where I was a member. It was a smash hit in this small theater.
The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.
I definitely wasn’t cool in high school. I really wasn’t. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas, but I certainly did not know what to wear, did not know how to do my hair, all those things.
I definitely wasn't cool in high school. I really wasn't. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas. But I certainly did not know what to wear, did not know how to do my hair, all those things.
I grew up doing musical theater. I went to a school for musical theater, so that was always what I wanted to do growing up.
I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
I went to Elon University and studied musical theater. I usually did two musicals a year, but I also did a couple of plays. That was sort of always where I felt the most relaxation.
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