A Quote by Richard C. Armitage
Light, trivial comedy does not appeal - it is not something I go to see.
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I have such a respect for comedy. It's a lot harder than doing drama, in my opinion; you have to have sort of an innate sense of humor. There are rules to comedy you can learn. But ultimately, it really does require a certain point of view on the world, and that really does appeal to me.
You know what I'm great at? Trivial Pursuit. What good is that gonna do you in life? It has the word 'trivial' in the name. The game is basically telling you that you pursue trivial things. Trivial - as in not important. Trivial - as in maybe you should've gone to grad school.
I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
I want to go play a villain or an action hero or a nice, light, romantic comedy or something. That would be good.
First you believe, and then you see the Light. Next you go towards the Light. Soon you are IN the Light. Now you ARE the Light.
When someone who is known for being comedic does something straight, it's always "a big breakthrough" or a "radical departure." Why is is no one ever says that if a straight actor does comedy? Are they presuming comedy is easier?
If a person forges ahead in the light and yet has lost his care for the others, the purpose of the light is wasted. God does not give us light for its own sake, but for the purpose of doing something in the light.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
There's so many variables in comedy. Comedy is not this thing that's a performance like a play. It's really an interaction with every single person in the room. And if there's a weirdness in the room for any people, be it something the comedians did at the top of the set or be it the mixture of the people isn't right, something can go awry. So it's really great to see you proven wrong about someone.
The purpose of the painter is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It does not appeal to the moral sense. Its aim is to instruct, not to edify, but to awaken an emotion.
Here is something Category-Theorists like: it is trivial, but not trivially trivial.
'All Def' is unlike any other comedy show or set because 'All Def' goes back to the essence of how urban comedy started. We give it a 'stoop appeal.' A stoop appeal is important for us because it's where pretty much all black comics started doing their standup: cracking jokes on the stoop, in the hood.
Now, suppose a Negro does something really magnificent, and I glory, not in the benefit to mankind, but in the fact that the doer was a Negro. Must I not also go hang my head in shame when a member of my race does something execrable? . . . The white race did not go into a laboratory and invent incandescent light. That was Edison. . . . If you are under the impression that every white man is an Edison, just look around a bit.
I wouldn't go across the street to see a Bouguereau. His pictures look false; he does not get the truth of what he wishes to represent. His light is not outdoor light; his works are waxy and artificial. They are extremely near being frauds.
I'll see something, and I'll go, 'Oh, wow, that's interesting,' because really, comedy comes from the truth.
To do something, say something, see something, before anybody else -- these are things that confer a pleasure compared with which other pleasures are tame and commonplace, other ecstasies cheap and trivial.
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