A Quote by Richard Clayderman
There are many artists I would like to have the honour to cooperate with. To accompany Barbara Streisand or Paul McCartney or Elton John would be a dream for me as I have a lot of admiration for their voice, their talent and their charisma.
Related Quotes
When it comes to songwriting, I grew up in the Seventies listening to AM radio. So I've all these pop songs running through my head from Paul McCartney and Elton John, and a lot of stuff that was written on piano.
I won't apologize for ticket prices. I think we're well worth it. We consider ourselves in the elite touring acts, like the Stones, Elton John, Paul McCartney.
I would love to just talk to Paul McCartney. That would be incredible, but that is definitely like a dream.
Look at Paul McCartney, look at Elton John. They're jealous of Justin Timberlake. I'm sure they were jealous of me when I was in my imperial phase.
Everybody who's anybody has been competitive and over-sensitive and a bit silly. Look at Paul McCartney, look at Elton John. They're jealous of Justin Timberlake. I'm sure they were jealous of me when I was in my imperial phase.
The Seventies was a golden era. Back then we had some incredible talent with bands like the Undertones, the Rolling Stones and artists like Bob Dylan and Paul McCartney.
Paul McCartney and John Lennon would often write a song a day, so I have the same workmanlike philosophy.
Dee Dee got the name 'The Ramones' from Paul McCartney. McCartney would call himself Paul Ramon when he checked into hotels and didn't want to be noticed. I liked it because I thought it was ridiculous. The Ramones? That's absurd!
Paul McCartney would be the end all, be all. To work with Paul would just be amazing.
I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.
There have never been a lot of female guitarists out there, so most of my influences were male. Acoustically, I followed Joni Mitchell and Paul Simon. Also, John Lennon and Paul McCartney - both incredible acoustic guitar players.
At John Schlesinger's funeral at a synagogue in St John's Wood some years ago the person I stood next to said to me encouragingly, 'Come on, Stephen - you're not singing. Have a go!' 'Believe me, Paul, you don't want me to,' I said. Besides, I was having a much better time listening to him. 'No. Go on!' So I joined in the chorus. 'You're right,' Paul McCartney conceded. 'You can't sing.
A pretty pivotal moment for me was having a songwriting class with Paul McCartney when I was at LIPA, and then being called in a few days later by the headmaster of the school to tell me that Paul McCartney likes what I'm doing.
The world is split into two kinds of people, those who would go out for a drink with John Lennon, and those who`'d choose Paul McCartney... After The Beatles came back from India, Lennon wrote "Happiness Is a Warm Gun" and McCartney wrote "Ob-La-Di, Ob-La-Da." End of argument.
There weren't a lot of girl singers around. Paul McCartney and John Lennon were the guys I looked up to.
Many of what are now considered historic events, such as John and Paul McCartney's only jam session after The Beatles split up, weren't photographed. I'm surprised I captured as many moments as I did.
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