A Quote by Richard Clayderman
Today, Lan Lan is one of my favourite classical pianists.... Years ago I had a great admiration for Arthur Rubinstein but I have no doubt that Franz Liszt and Frederic Chopin were also fantastic piano players - though there is no way to listen to them when they were performing.
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You didn't listen to me," Lan whispered. One last lesson. The hardest. Demandred struck, and Lan saw his opening. Lan lunged forward placing Demandred's sword point against his own side and ramming himself forward onto it. "I did not come here to win," Lan whispered, smiling. "I came here to kill you. Death is lighter than a feather." Demandred's eyes opened wide, and he tried to pull back. Too late. Lan's sword took him straight though the throat.
I had long wondered," Lan said to Tam. "About the man who had given Rand that heron-marked blade. I wondered if he had truly earned it. Now I know." Lan raised his own sword in salute.
Chopin, Schubert, and Liszt had no idea of how to write for the piano.
I love Arthur Rubinstein, especially his live recordings. I think his Chopin Mazurkas, his interpretation of the Polonaises, and the Concertos of Chopin are just incredible. When I was a child, I wanted to play more and more Chopin because of his recordings.
Demandred blocked Lan's attack but he breathed hoarsely. "Who are you?" Demandred whispered again. "No one of this Age has such skill. Asmodean? No, no. He couldn't have fought me like this. Lews Therin? It is you behind that face, isn't it?" "I am just a man," Lan whispered. "That is all I have ever been.
Beginning in the nineteenth century, with performers like Franz Liszt, were musicians who were able to excite an audience and communicate on a whole new level.
Liszt commenting on the music of Frédéric Chopin: He confided . . . those inexpressible sorrows to which the pious give vent in their communication with their Maker. What they never say except upon their knees, he said in his palpitating compositions.
Liszt's so-called piano music is nothing but Chopin and brandy.
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
My parents and two sisters were great musicians but my family's approach to music was always way more academic than mine. They were virtuoso players. But they were all impressed that I could sit down at a piano and find a melody. We had a different approach, we had mutual envy.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I grew up in a hippy town, so I did my playing outdoors and skiing and all that, but then I also had my nerd friends that I went and hosted LAN parties with, get my 'Counter-Strike' on.
I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.
The A's were a team with very few resources. We didn't have access to players who were obviously great, who could do it all and were always in the headlines. We couldn't afford those types of players. So we had to figure out a way of cobbling together players into a team that might be competitive.
Human beings of today are more fragile, whereas people born in wartime, during the Second World War, eventually became the great players like Pele. They were fantastic players.
But if you listen to great piano players, both classical and jazz, there's a huge range of dynamics and colors and emotional expression that's possible with the instrument.
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