A Quote by Richard Clayderman

As an example, there is a Japanese composer / singer whose name is Tanimura [Shinji]: he has composed a song entitled entitled "Kazeno Komoriuta" and I have recorded my piano adaptation of this song and honestly I couldn't expect that it would be so difficult and challenging for me to perform my piano version of this beautiful song.
As a musician or composer, whenever I am recording a song I imagine myself sitting beside my piano and singing the song with a little fear that whether I will be able to perform or not.
I sometimes write songs on the piano, even though I don't actually play the piano. I always hire someone to play for me whenever I decide to sing a song I have written on the piano. My song 'Rosa' is one.
If you write a song, and you go into a restaurant, and there's a guy with a piano singing and he's playing piano, singing your song, or you hear it at a wedding or at an airport... it's fun!
What I love about piano and vocal is it's incredibly pure, and it gets down to the essence of the song because you're not distracted by an orchestra. When it's just a piano and a voice, it's about the purity of singing the song.
I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.
'Beneath the Piano' by The Devil Makes Three somehow reminds me of an old Johnny Cash song. The song is a lot of fun and tells a story.
The title is 'Tattoo boy' and I haven't heard a song that talks of tattoos. So, I feel people who have tattoos will relate with this song. It's a beautiful song. It has been composed and shot really well. I hope people appreciate it.
You can never plan what a song will do. I wrote Mr Pitiful song on a piano I paid $200 for and I definitely got my money's worth.
At 13 I taught myself piano from an old song book, and Joni Mitchell's 'Both Sides Now' was the first song I learned.
In sixth or seventh grade, my teacher assigned me to write and sing a song. I remember sitting at the piano in my living room, trying to get that song perfect. That was the moment I realized I really love doing this.
I think a very clear cut example of - dare I say - plagiarism is the Sam Smith-Tom Petty situation, where you have a song that is flagrantly... it is the hook from one song being used for another song. To me, that was a very obvious example of plagiarism. If somebody had done that to me, I would probably take a similar course of action.
Everyone at school knew I wanted to be a singer. I'd always be banging on the piano playing my new song. The teacher would gather us round, and the whole class would listen.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
The piano song that I do in the movie [The Hangover], it's a great example, that was never - that wasn't in the script.
The original version of 'Nuthin' but a 'G' Thang' was made to a Boz Scaggs song; I can't remember the name of the song.
My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.
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