A Quote by Richard Coles
I just looked preposterous. It would be 'King Lear' and I'd walk on with Cordelia's dead body in my arms and the audience would hoot with laughter. The only time they didn't laugh was when I was doing comedy.
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We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.
I very rarely laugh. I remember I used to have a joy at comedy. I remember going to see Sean Lock for the first time live, just in some comedy club when I was 18, and again, just guttural, pure laughter. I didn't know what he was doing; I couldn't see the tricks.
I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter.
King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
In 2008, I just decided that there will come a time when I am dead and gone, and I only have a body of work to show. That was when I did films like 'Last Lear' and Deepa Mehta's 'Heaven On Earth.' They were serious roles.
I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not true laughter. No! He is a king, and he come when and how he like. He ask no person, he choose no time of suitability. He say, ‘I am here.
I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.
My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!
I look at it like this: that if Shakespeare were alive today, he would have written two or three plays about the Kennedy family, and actors would traditionally play JFK like they Hamlet or King Lear. They just would. I mean, people have played JFK, and they'll play him long after I have.
The king of comedy is dead. Richard Pryor was the king of comedy. The rest of them are the king of copycats.
If you could only see the vision I have. I wish I had your bodies to do this work. I would run from house to house telling everyone of the gospel, and after I lost strength to run I would begin to walk, and after I collapsed from walking, I would begin to crawl, and after my knees were so bloody that I could not use them I would use my arms to drag myself, and once my muscle in my body was gone I would begin to yell…oh, only if you could see the vision as I have.
I want to play King Lear, Macbeth, Benedict, Coriolanus. I wouldn't mind doing Hamlet again. Well, I'm a little old. Perhaps I can rub Vaseline on the audience's eyes.
I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
What I love is the comedy of the body. It's a little highfalutin', but you can even say pre-verbal comedy. People laugh differently at stuff that isn't brought to them via the spoken word. It's from a different place; it's a different quality of laughter.
Ever since I was 2 or 3, I loved to perform for people. I would walk up to another table in a restaurant and crack a joke, sing a song, do a dance, or something entertaining, and the 'audience' would almost always smile and laugh.
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