A Quote by Richard Corliss

It rekindles the great Hollywood romances. — © Richard Corliss
It rekindles the great Hollywood romances.
All my films are, in some way, romances. But I've always felt that the best romances are somehow doomed.
What audiences end up with word-wise is a hackneyed, completely derivative copy of old Hollywood romances, a movie that reeks of phoniness and lacks even minimal originality.
I've got to be honest, I absolutely don't like designing romances. I think that you get a lot more drama and impact from failed romances, or unrequited relationships that occur in games. I think that creates more player tension.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.
The theme of the dance was "Great Romances," or some such nonsense. There were projections of supposedly great couples from the past on the walls of the gym. Romeo and Juliet, Antony and Cleopatra, Hermione and Ron, Bonnie and Clyde, etc.
If you find that the reader of popular romances--however uneducated a reader, however bad the romances--goes back to his old favourites again and again, then you have pretty good evidence that they are to him a sort of poetry.
A great error is more easily propagated than a great truth, because it is easier to believe, than to reason, and because people prefer the marvels of romances to the simplicity of history.
Most romances aren't swept aside by big historical events. Most romances in the history of the world fall apart because of other, smaller happenings. History can sometimes be in the background, the thing which instead of rupturing your life merely irritates you by pressing itself now and then into the foreground.
I became super claustrophobic with Hollywood. I don't like Hollywood. I don't like what it represents. I think that Hollywood is great if you're an actor, actress, established. But for reality people or what people perceive as reality, it's tough. People are constantly discrediting everything you put on camera.
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Submission to suffering is a form of annihilation, but transformation of suffering rekindles a faith that gives life.
Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.
The great thing about it is, in Hollywood, certain people are very good at keeping their lives and who they are very private. I've never met anybody as down to earth and cool in Hollywood than Matt Damon.
Poor Hollywood! These things happen all over the world but what a great backdrop to have Hollywood in our movie. No, but I know people who divorce a lot....and have really nice houses. But I didn't model the character on anyone in particular. And if I did, I would never tell the name.
He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.
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