A Quote by Richard Corliss

Throughout the movies' golden age, the Western enriched Hollywood financially and artistically. But in the 1970s, the genre lost its audience appeal to fantasy films of the 'Star Wars' stripe, which told more or less the same story - elemental animosities leading to an armed showdown - but at a faster tempo, and in outer space.
I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
'Star Wars' is life, but 'Star Wars' is also not very good, which is why 'Rogue One' - a Frankenstein's monster assembled from a butchered first cut and an excessively large space antenna that only exists to add another 30 minutes to the film - is one of the better 'Star Wars' movies.
I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.
The so-called 'last golden age,' in the 1970s, most of those movies were independent films.
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
The only answer to the question 'Which is the worst of the 'Star Wars' movies?' is, there is no worst 'Star Wars' movie. There - one might be the least amazing and fantastic, but there's none that is the worst of the 'Star Wars' movies.
'Star Trek' is science fiction. 'Star Wars' is science fantasy. Based on the episodes I worked on, I think with 'Star Wars: Clone Wars,' we're starting to see a merging, though. It does deal, philosophically, with some of the issues of the time, which is always something 'Star Trek' was known for.
Maybe the next three Star Wars movies will tell the story of how the last three Star Wars movies got so shitty.
All people who grew up with science fiction and fantasy and horror went through the whole acculturation process of the genre. We were all told to read the golden age writers. We were all told Heinlein and Asimov and all these straight, white males, although some of them were Jewish.
The Western is as American as a film can get - there's the discovery of a frontier, the element of a showdown, revenge, and determining the best gunman. There's a certain masculinity to the Western that really appealed to me, and I've always wanted to do a Western in Hollywood.
I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.
'The Clone Wars' is certainly set in the darkest possible time throughout the whole 'Star Wars' story.
We have more brilliant fantasy novels than brilliant fantasy movies. Movies and TV are done by committee. But with a novel, it's really just one person running the show. That allows for a clarity and unity of vision that's pretty unique, artistically.
When someone talks about Western films, you probably think of those old black and white cowboy films your granddad likes. But the Western is a wonderful genre because it is usually a story of a lone hero fighting against corruption in a dangerous world.
In 1935, Faber & Faber published an anthology entitled 'My Best Western Story' in which the genre's leading practitioners contributed what they considered their finest. Alas, literature the stories ain't; they appear more like fossils from a spent mine.
I'm not saying the 1970s was a golden age - I don't believe such a thing exists in art . . . It would be like talking about a golden age of science. But it's true that those were slightly more ideological times, and the relevance of artists wasn't established by their CVs but by their work.
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