A Quote by Richard Corliss
The 1930s birthed two great agrarian novels: 'Gone with the Wind' from the viewpoint of the ruling class, 'The Grapes of Wrath' for the underclass. And both were turned into movies that dared to be true to the books' controversial themes.
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There are two of my favorite books, 'The Great Gatsby' and 'Gone With The Wind', that were made into movies. And I love those movies as much as I love the books. That's really rare.
I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book.
I once owned a collection of 77 novels that won the Pulitzer. The only good novel of the bunch was The Grapes of Wrath.
All middle-class novels are about the trials of three, all upper-class novels about mass fornication, all revolutionary novels about a bad man turned good by a tractor.
Wrath to come implies both the futurity and perpetuity of this wrath.... Yea, it is not only certainly future, but when it comes it will be abiding wrath, or wrath still coming. When millions of years and ages are past and gone, this will still be wrath to come. Ever coming as a river ever flowing.
The history of mankind is a history of the subjugation and exploitation of a great majority of people by an elite few by what has been appropriately termed the 'ruling class'. The ruling class has many manifestations. It can take the form of a religious orthodoxy, a monarchy, a dictatorship of the proletariat, outright fascism, or, in the case of the United States, corporate statism. In each instance the ruling class relies on academics, scholars and 'experts' to legitimize and provide moral authority for its hegemony over the masses.
Washington and the elder Napoleon. Both were brave men; both were true men; both loved their country and dared to expose their lives for their country's cause.
The ideas of the ruling class are in every epoch the ruling ideas, i.e., the class which is the ruling material force of society, is at the same time its ruling intellectual force.
Now, instead of loading up your jalopy and heading for California, you take a second, badly paid job; 'The Grapes of Wrath' has turned into 'Nickel and Dimed.'
One of the things that's exciting for me about this novel is that, to me, Brookland and The Testament of Yves Gundron were both, in certain regards, crypto-steampunk. They're both books that are interested in an alternate technological past that in fact didn't historically come to pass. If you were to ask me what my novels were about, I would say, well, these are novels about technology and how we relate to technology and what technology means.
I was born January 6, 1937, eight years after Wall Street crashed and two years before John Steinbeck published The Grapes of Wrath, his Pulitzer Prize-winning novel about the plight of a family during the Great Depression.
Revolutions existed in history, books were written about them, and lectures given: they were complicated phenomena, scientific, remote. While here, the riot of a week ago had turned out to be a real revolution and the shadow of death actually threatened all of us who were of the ruling cast.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
I'm not going to back down from my controversial positions. If I were to do that, my base would be gone. And so my strategy is just, continue to speak the truth, even if it is controversial.
To see what books were available for my older students, I made many trips to the library. If a book looked interesting, I checked it out. I once went home with 30 books! It was then that I realized that kids' novels had the shape of real books, and I began to get ideas for young adult novels and juvenile books.
When I grew up, my house contained only two books: the Bible and the 'Edmonds' cookbook. We were a working-class household. Books were a poor second to the television, which was always on, usually with me in front of it.
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