A Quote by Richard Corliss

For 82 minutes, 'The Little Mermaid' reclaims the movie house as a dream palace and the big screen as a window into enchantment. Live-action filmmakers, see this and try to top it. Go on and try.
It's a good feeling to see the kids try to make it, try to get to the big leagues. Everyone here has an opportunity to achieve his dream. I was lucky I was able to achieve my dream.
I grew up with family who liked to travel and sightsee, so I have this pressure inside me: If I'm in a city and I have enough free time, I'd better go to a museum. I try to see parks, go outside. Or else try to feel really normal like go to Target or a drugstore, or go see a movie.
I try not to see Woody Harrelson because he has become this big movie star, and it grates, so I try and stay away from him.
I try to communicate with the musicians the way I communicate with the filmmakers. I'm not going to say to them, can we be a little bit more presto here. Hang on, this should be a bit more exciting, or I try to explain the scene to them, or I try to explain the context the notes are supposed to live in.
I honestly try to have the approach that this is real life, this is the real world that we live in, and I don't really try to shelter [my son] from a lot of things that he's gonna see when he looks out of the window.
I got interested in reading very early, because a story was read to me, by Hans Christian Andersen, which was 'The Little Mermaid,' and I don't know if you remember 'The Little Mermaid,' but it's dreadfully sad. The little mermaid falls in love with this prince, but she cannot marry him because she is a mermaid.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
I'm one of those people, in any country I'm in, if somebody could just put me in a car or a bus, I'll look out the window and say, 'OK, there's the Tower of London, there's Buckingham Palace, there's Big Ben,' and if it all takes about five minutes, perfect. I've seen all of it and I can go home.
Sometimes I go to the cinema and I see a movie where the directors or the filmmakers are telling me what to think, what to feel. They are giving me all the answers, and I'm like, "What am I doing here?" I try to have an active audience that are thinking and feeling for themselves.
Whenever we just try to please ourselves, all we do is cover up another window in the little house we're stuck in.
With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.
I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.
Innumerable lovers of Hindi cinema have lit up the big screen. But on screen, they are just two beautiful bodies. They have no caste nor religion. The love that our filmmakers imagined was little more than make-believe.
You go to the movies to be transported. That's the responsibility of filmmakers and the people that hire the filmmakers - to try and find new dreams we can all share together.
I dream big. I think big. I try to go out and do it as big as I can.
In the mornings, I try to spend anywhere from 15 to 60 minutes with my son. Failing that, I try for 30 to 60 minutes together at the end of the day. I try to make that work, but if I can't, I just move on. You can't beat yourself up about it.
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