A Quote by Richard Corliss
After two terms as California's Governator, Schwarzenegger slipped comfortably back into pictures with 'The Last Stand,' a modern Western, then crammed into the wide screen, as if it were a service elevator, with fellow '80s muscle car Sylvester Stallone in 'Escape Plan.'
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The men I idolized built their bodies and became somebody - like Sylvester Stallone and Arnold Schwarzenegger - and I thought, 'That can be me.' So I started working out. The funny thing is I didn't realize back then that I was having a defining moment.
It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy.
I came out of high school, where my heroes were, like, Michael Jordan and a lot of local rugby players - and on the movie front, it was Arnold Schwarzenegger and Sylvester Stallone.
People get inspired by Salman Khan, Sylvester Stallone or Arnold Schwarzenegger. But, body sculpting is a gradual progression.
I grew up on '80s action movies... Jean Claude Van Damme, Schwarzenegger, Stallone... If there were ever some opportunity to do that, it'd be great.
We all grew up in that era. I'm a little younger than these guys [Will Forte and John Solomon], but I would say all of us are huge fans of the original "MacGyver" series, and obviously we found that inspiration for the original pitch for MacGruber. We took his name and made it stupid. In terms of the inspiration for the movie, that really came from our love for late '80s/early '90s action movies - the whole "Lethal Weapon" series and "Rambo" and "Die Hard," every single [Arnold] Schwarzenegger and [Sylvester] Stallone film.
When I was a kid, all the walls in my room were papered with posters portraying Jean-Claude Van Damme, Arnold Schwarzenegger and Sylvester Stallone. I think working with Van Damme was a great experiment. It was awesome!
I grew up watching 'Rambo' and 'Rocky' and all of those movies, so you have a surreal moment, even as an actor, when you're in front of these guys, whether it's DeNiro or Stallone. You have a moment like, 'Geez, that's Sylvester Stallone,' and then you have to snap out of it and get back in the pocket of the character.
I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.
I grew up idolizing these men, like Arnold Schwarzenegger. I loved Sly (Stallone). I loved Bruce Willis. These guys embodied everything that action was in the 80s and 90s.
Soccer players in L.A. can kind of just walk the streets. They have bigger people to take pictures of. They see Sylvester Stallone walking down the street, I don't think they are going to want an Ashley Cole picture, to be honest.
I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
Sylvester wins, obviously [best actor in a supporting role in 2016]. That's the whole point of this. We're all getting dressed up to go to the Oscars to hear Sylvester Stallone, let no one get this twisted. The academy can't pay for a better moment than this: this is the Oscar's original darling.
Lionsgate and Lorenzo di Bonaventura saw my Korean Western-style film, 'The Good, the Bad, the Weird,' and probably felt that I would be right for 'The Last Stand,' which could be classified as a modern Western.
The first time I met [Sylvester Stallone], he had golf tees up his nose. So I figured we were going to be OK.
The day after my mom died I fly back to California and spend the three weeks before the California primary making arrangements for her cremation, planning and getting the house ready for a memorial service and covering political rallies in Southern California. The normalcy of work helps.
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