On 'American Top 40' the Kasem voice soared and swooped, like an expert aural acrobat, through promos, jingles and dedications, usually rising to a dramatic peak for the top-selling song of the week.
I think I get a lot of ideas from when I was a kid, listening to Casey Kasem's 'American Top 40.'
For the players, these top, top, top games or these top, top, top events - like a World Cup or a European Championship - are not common but, of course, something special.
The goal for the top American isn't the top twenty - it's top ten, top five, number one in the world.
So many times, I watch games and think, 'Man, why is that guy trying to score like that? He can't do it.' But he's been told his whole life, 'You have to go get 40 if you want to be one of the top dogs.' It's my goal to build a lane where you can be a top dog, and you don't gotta go get that 40. You can go get four and still be a top dog.
I grew up climbing mountains in Montana and Wyoming and my wife and I were engaged on top of a mountain peak: Hyalite Peak in Montana. It was a 15-mile hike to get to the top of that, round-trip - thankfully, she said yes.
If you play for Barcelona or Ajax or for any top team or top side, they want to see the top players excel every week.
I'm not concerned at all to have a number one song or a top 10 or top 50 or top whatever.
I love Top 40 pop, don't get me wrong; I just don't think that there's anyone in Top 40 pop that's 'real.'
Everybody wants to reach the top of the mountain, but there is no growth at the peak. It is in the valley that we slog through the lush grass and rich soil, learning and becoming what enables us to summit life's next peak.
Like, I wanna be the producer with the Selena Gomez top-charting pop song, and like, a top-charting Migos or Gucci song in urban. I wanna just take over everything, you know?
I've worked very hard to put myself where I am: in the top 10, the top American in an American event - two American events - and I haven't played on stadium court.
The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning.
When I see all the boys in the top jobs across our leagues, I'm like: 'Oh my God, the only woman sitting on top of the pile and I'm only there twice a week!' It's brilliant!
I think in any profession, in general, you always imagine yourself at the top of it. And I'm not trying to say I'm at the top of my profession, but I've seen what the top people do and what the top people live like. And that's definitely something I want to be a part of.
My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover.
You need to have spent your time from playing Top 40 pop rock in order to know how to play a song like 'Ritual,' a song like 'Absolution' or 'Idolatrine.' You need to know your classic drumming and your classic guitar.