A Quote by Richard Corliss
'Under the Skin' is handsome, in a dour way, but inert - a cunning experiment that died in the shooting or on the editing table. You'll want to get the DVD, though, and not just for its study of Scarlett. Odds are that the Making-Of documentary will be far stranger and more fascinating than the movie that was made.
Related Quotes
Where is the Scarlett Johansson superhero movie? I don't understand it, why is it taking so long for this? This woman clearly shows that people want to go see her in the movies. ‘Lucy,’ didn't it beat ‘Hercules’ by a lot opening weekend, when it was made for a lot less? She shows that she kicks ass, she's a great actress. ‘Under the Skin’ is an incredible film, and why are we still waiting for a go-ahead on a superhero movie starring Scarlett Johansson?
To me, it's a no-brainer. You want to make money, put Scarlett Johansson in a superhero movie!
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.
Teaching regularly has made me an even more adept reader, I think. The kind of teaching I do is more like editing than anything else. The kind of editing book editors used to do before lunch. The kind of editing I used to do as a radio documentary maker.
I became really aware that when you're making a movie, you're making it three times. You're making it when you're writing it. You're making it when you're shooting it. And then you're remaking it again when you're editing it.
I want to get out of the way of the actors. I want to get out of their eye lines. I want to them to stop thinking they're making a movie. I want them to just go and live. It's like you take these great actors and put them in an aquarium of life, and just watch them swim. That's what makes editing tough because you get all these beautiful, unplanned moments.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
You have to know what you're shooting. Don't just make your movie in the editing room and just get everything you can on the day.
The nice thing about a documentary, I think, is that so much of it is editing, too. You sort of get to keep making decisions. It's not as much like when you do a narrative, fictional piece, and you have a certain number of shooting days, and you're like, "Well, that's what it is." You can continue to seek out more photographs or try to find more footage. The genre gives you the ability to keep working on it, which is great for a first-time director.
Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
I obviously am cognizant of the fact that being handsome gives me greater breadth of opportunity. I'd hope that what I bring to the table far surpasses just being handsome.
When we were shooting the movie, and of course in the editing room we had to make choices, but the shots fall almost exactly where we thought they would. They're not about content; they're never meant to be about what just happened. There's that weird phenomenon where the more you like a movie the more your mind wanders and goes all over the place.
I've lived through the shooting of movie, the editing and every other process along the way, so it's not for me to really judge it. I'll probably look at it again five years from now to get a fresh feel for it.
Even a fiction film is hard to end. You can going on shooting and editing a documentary forever.
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