A Quote by Richard Corliss

Viewers who invest two hours in a superhero movie often leave feeling entertained but somehow dumber. — © Richard Corliss
Viewers who invest two hours in a superhero movie often leave feeling entertained but somehow dumber.
I'm not sure that 'Iron Man' is a superhero movie. I think towards the end of the movie, Iron Man pretends to be a superhero - he's entertained by that notion. I think 'X-Men' is a sci-fi movie.
I've had tragedy in my life, and it doesn't stop comedy, so I think it's important to do both. Particularly in a superhero movie, but in any movie that accesses all people. Nobody wants to be abused for two hours.
Often, American audiences are underestimated by producers and movie studios. They often think we're dumber than we are.
Too often in the theatre people can't wait for intermission to get some chocolate or something. But with Come Back, Little Sheba I just hope people leave feeling like they've spent a really good two-hours in that house with us.
I want my audience to say, "Wow, this is a film I'm benefiting from. I'm benefiting from what this filmmaker is trying to say." I'd always rather learn and be entertained than be entertained and feel myself getting dumber by the moment.
We're the only developed country in the world that doesn't have paid maternity leave. Paternity leave is just as important. Paid family medical leave so that you can take care of a parent, a child, a grandparent, whatever you need to do. I think we're shortsighted when we don't invest in our employees as companies, and as an economy, because we invest in them and they invest back in us.
You can do things with TV that you just can't do on film. There's so much more time: there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie that often, I would say.
TV is an extraordinary medium. You can do things with TV that you just can't do on film. There's so much more time, there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie, that often, I would say.
My personal feeling is that audiences are crying out for stories they can invest in and feel. I see a lot of big movies that leave me feeling rather numb.
This is not a documentary. Are there essential truths that are captured by this movie? I think unquestionably the answer is yes. Do you have to change certain things to make it work? The book is called '13 Hours'; the movie is two hours long.
I want my work to always be hopeful, in the end. You're giving me two hours, and, in Shots Fired's case, 10 hours of your life. I don't want you to ever leave something I've done feeling worse than when you came in. I hope the work can be aspirational, and aspirational doesn't have to be corny at all.
For all reality TV, and all the viewers of reality TV, just be entertained. Don't invest your feelings, your heart, your soul into reality TV. It is entertainment. And that's all that it should be.
Noncooks think it's silly to invest two hours' work in two minutes' enjoyment; but if cooking is evanescent, so is the ballet.
I had no confusion about making a superhero film. From the very day one, I knew I will make a movie of this genre which will have an Indian superhero. I never wanted to copy my superhero from any of the Hollywood ones.
The villain in superhero movies is often, I think, what makes the movie.
I can't remember ever feeling so glad that a movie was finally over. [Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.
This site uses cookies to ensure you get the best experience. More info...
Got it!