A Quote by Richard Coyle

I've always had this strong sense that I know best. — © Richard Coyle
I've always had this strong sense that I know best.
There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.
Our family were outsiders, and I've always had a sense of the outsider, the underdog, and a strong sense of justice towards people who are excluded.
I always had a very strong sense of independence.
I've had enormous luck and enormous pleasure in working in such forms as movies and plays that I loved when I was a kid and I just - because I could always write dialogue, because I always had a sense of how people spoke. And because I had a strong narrative sense; growing up and loving stories, loving novels, I just seem to know how to tell a story and I read a lot, I went to a lot of movies, I went to a lot of plays, and it rubbed off on me. And that's all. It just rubbed off on me.
You have to keep a strong sense of who you really are - and I have a pretty strong sense of myself. It gets me in trouble when I say this, but I don't think of myself as a politician. I've always tried to be honest when communicating with people.
I always have a very strong sense of shaming oneself, and you can do that a lot in the public eye, so it's best avoided at all costs I think.
I have a strong sense of myself. That gives me a sense of security, you know? If I define myself by things that are always changing, like the public's opinion, or what I'm wearing, or what job I'm doing, there's no stability in that.
Because I've always had a strong personality, I've always thought I knew what was best.
As a writer, you need a strong sense of self-belief. And when it comes to writing, I've always had that.
I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
My mother ... had a very deep inner spirituality that allowed her to rebuild her life. It's extraordinary that she had such a strong sense of self and such a commitment to the future and such a strong creative sense that she could build new worlds for herself and for us out of the total devastation in her life.
This strong sense of who I am that I've always had, since I was very young, is what makes me write.
I've always been surprised when a straight guy likes me. It's just been like my whole life has been kinda like that. I definitely felt like when I started writing music, it wasn't writing for a gay audience at all. I was just writing for me. But what I say whenever I get this question is my best friends have always been gay, I've always been, as a person, just accepted by the gay community, and celebrated and had the best nights of my life at gay clubs. Always had a fashion sense usually with drag and I don't know. That's just kind of my people. That's just kind of where I fit in.
I didn't always know, but I always wanted to. I always wanted to be the very best receiver the Cowboys ever had. That was my goal coming in as a rookie and my goal throughout my career: being the best they ever had, going up in the Ring of Honor.
The thing about Hitchcock which is quite extraordinary for a director of that time, he had a very strong sense of his own image and publicizing himself. Just a very strong sense of himself as the character of Hitchcock.
Common sense (which, in truth, is very uncommon) is the best sense I know of: abide by it; it will counsel you best.
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