A Quote by Richard Curtis

Except for a few small presses, most publishers are north of Ground Zero. — © Richard Curtis
Except for a few small presses, most publishers are north of Ground Zero.
The future of publishing lies with the small and medium-sized presses, because the big publishers in New York are all part of huge conglomerates.
I started with small-press publishers, who were willing to publish all sorts of forms. I didn't move to the larger presses until they knew what they were getting in for.
[Mid-list writers are now] less greed on the part of both publishers and chain booksellers. It is easier for them to publish and sell only blockbusters and leave the real work to small presses.
I think it's important to understand that North Carolina has been ground zero for conservative backlash.
Memoirs are going to be problematic sells for a while, though, because even if memoir means "based in memory," right now, in the collective mind, memoir means "recovery." When my agent and I started looking at small presses the possibility for my book, I realized most small presses were not publishing memoir, because they don't want to be associated with the genre that Mary Karr calls, half-facetiously, "literature's trashy cousin."
When I started publishing - my first novel came out in 1990 - there were no options for publishing science fiction in Canada. There were no small presses, and the large presses simply would not touch it at all.
The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
There's a reason that so much good material is coming down to the small presses: it's difficult to turn a profit, all things considered. But you can't go into small press publishing and complain about the money. Our Little Island publishing just needs to survive. If we're still around in a few years - in vaguely the same shape as we are today - then, to me, that's success.
Most novels put out by small or corporate presses don't really sell that well - usually a thousand copies or so. Working with a small press, you have to be willing to book reading tours, plan events, make contacts with other small press authors, and find new ways of getting word about your new work out there.
I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way.
Publishers seem to be in an alcoholic haze most of the time. Well, the publishers have no idea what a writer is.
By 1833 the largest publisher in America, Harper and Company, boasted one horse-powered printing press and seven hand presses while the American Bible Society owned 16 new state-of-the-art, steam-driven presses and 20 hand presses.
The most challenging part of being an actor is that every time you play a character, you have to start from ground zero.
No one could seriously dispute that almost all of sub-Saharan Africa, all of North Africa except Morocco, all of the Middle East except Israel and Jordan and most of the oil-rich states, and the entire former British Indian Empire were better governed by Europeans.
You know how some people are upwardly mobile? I'm sort of downwardly mobile in the publishing world, because of my sales figures and also because of the kind of books I write. Everything really counts on sales. I started out with a bigger press, my first few books. But I've always done some things with independent and small presses and small magazines and I always will.
Does the imam have a legal right to build the mosque at Ground Zero? The answer is yes. But is it the right thing to do? The answer is no. And most Americans, and most moderate Muslims, join with me in that call.
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