A Quote by Richard D. Zanuck
Portnoy's Complaint' was very far out there, and movies have always worked when you have either a funny situation between two or more people or a very dramatic situation. There's not that much difference.
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'Portnoy's Complaint' was very far out there, and movies have always worked when you have either a funny situation between two or more people or a very dramatic situation. There's not that much difference.
It's very important that people understand that for refugees to come into the USA is very difficult. What upsets me about the whole situation is that people don't know the difference between a migrant and a refugee; they don't have respect for what people are coming from - the people who against it - and they have completely forgotten this is what built our country, the diversity. When it is put forward that masses of people are dangerous, and the actual numbers and the situation are proven to be completely the opposite of the way they're presented publicly, it's horrible.
I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation. So, the politicians and the people who make decisions very often is the one we think can make some difference. But of course they will not make a difference if the citizens or the individuals not push it or not to speak out, to possess a very strong voice about, this is not acceptable.
We're all impostors to ourselves. By that I mean that we know instinctively, intimately, the difference between whom we are inside and who we appear to be to others. Most of the time - when we aren't flat lying about something or playing a particularly stylized role in some heightened dramatic situation - this difference between the internal and the external is modest and manageable.
I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
When you go back to the above names it was a very much narrower situation - the alternatives were far fewer. Today there is much more competition for the 'hero stakes'! And if you think about all the alternatives you have today to spend your time on, the pool of heroes is much broader. It was very much less back then.
When you knock people out, it's sometimes a very scary situation - but I always hoped that no one got seriously hurt. Now when I see them get knocked out, I laugh. When you finish the game, it's funny. And when I look at film of myself, I think, 'I wouldn't fight that guy.'
I always go back to how people behave. If you watch how people actually behave in a situation, it's very simple and honest and contained. You don't need to use as much expression, as much feeling. Some characters will boil over, and that's another thing, but a lot of times I think you can just do very, very little.
Sometimes when you write something on the page, it can seem very funny, but when you act it out - and this happens to me a lot, actually - the melancholy of the situation becomes more front and center.
The difference between a leadership and a command company can be very great indeed, because in a hierarchical situation, people who have concerns about reactions against themselves would simply not put forward negative information.
I came out when I was 15 at school, and I realized I had put myself into a precarious situation. It was a very hostile environment for me, and a lot of kids had it in for me. It was a scary situation. I was very impatient. I wanted to grow up now.
Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, "Okay, there's this situation in which people always play music, and nobody has written music for that situation so I'm going to." So, that was a very clear example of spotting a niche and working for it. I have done that occasionally.
We have a situation where the security of America is at stake, and it's a very, very serious situation.
See if you can catch yourself complaining in either speech or thought, about a situation you find yourself in, what other people do or say, your surroundings, your life situation, even the weather. To complain is always nonacceptance of what is. It invariably carries an unconscious negative charge. When you complain, you make yourself a victim. Leave the situation or accept it. All else is madness.
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
Before babies, I worked very hard to make sure I understood my surroundings and figured out where I fit in the world, whether it was at work or whether it was in a social situation. And with kids, you just can't. The rule is you can't really do that because they dictate and they change so much so you just have to go with the flow more and be present and not have big expectations and be amused all the time.
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