A Quote by Richard D. Zanuck

It wasn't easy once I started running 20th Century Fox. There were a lot of eyebrows raised, and it wasn't easy, that transition, because, you know, I had big shoes to fill and I was very young, 27.
I had big shoes to fill, but the way we have been playing has made the transition easy.
It's very easy for me to feel sympathy for people who are messed up. It's not that I'm a pseudo-saint or a great person. I had a lot of trouble with drugs and alcohol when I was younger, and I know how easy it can be to mess up the rest of your life. One bad turn, one bad night, one big mistake, and everything is screwed up. Or maybe you were just born in the wrong house and raised in a bad way. I guess I can understand.
Joe Schenck, a top 20th Century-Fox executive, once said to me that he really believed I had a future, and that was because I was the only girl who could survive so many bad pictures.
There were certain expectations that were assumed of me as a young black American 20th-century - then 20th-century artist.
I came to 20th Century Fox to do movies, and then they started a network, and they asked me to do a show as part of their starting what became the Fox network.
It is very easy for me to imagine in 200 years, people looking back at chemotherapy as proof that people of the 20th century were insane and just morons.
If human civilization were to be destroyed and its cities wiped off the map, there would be an easy way for future intelligent life-forms to know when the mid-20th century began: plastic.
I was a handsome boy, a very handsome young man, bright blue eyes, mmm. I would make trucks skid off the road. Anyway, girls were never a problem; the problem was me. But a lot of guys didn't like me because I made it look so easy, but it wasn't easy for me or anybody. When you're 24, it's not easy. You haven't reached anywhere that you want to be, so my looks helped me get in the movies, and I'm privileged that my parents came up with what I look like. What they did I'll never know and I don't care.
I was practically born and raised at 20th Century Fox studio, started to work there selling papers when I was around seven years old, and every summer vacation from school I would work in a various department at the studio. So I was an old-timer when I was 15.
My uncle Lionel ended up being a bug guy at 20th Century Fox, which my father had been - and, of course, my cousin Randy - you know, one of the great American songwriters. It was a storied family and, in many ways, very tough to emerge from.
In the 20th century, we had a century where at the beginning of the century, most of the world was agricultural and industry was very primitive. At the end of that century, we had men in orbit, we had been to the moon, we had people with cell phones and colour televisions and the Internet and amazing medical technology of all kinds.
Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. They are easy to build. Films are overwhelming in their magnitude and scope. By comparison, a lot of film directors wish they were writing songs because you can do it while getting your hair cut.
The fact that women in the home have shut themselves away from the thought and life of the world has done much to retard progress.We fill the world with the children of 20th century A.D. fathers and 20th century B.C. mothers.
My wife was an excellent mother, her loss has left a big void in my son's life, and those are shoes that I cannot fill. The loss of a parent has not been easy on him.
But you know, it's not easy when your husband runs for president. I mean, it's not easy for me. I'm sure it's not easy for her. There's a lot of scrutiny on families that isn't always wanted.
When I left 20th Century-Fox to freelance, my agent believed that getting big money was the way to establish real importance in our industry.
This site uses cookies to ensure you get the best experience. More info...
Got it!