A Quote by Richard Dawkins

We admit that we are like apes, but we seldom realize that we are apes. — © Richard Dawkins
We admit that we are like apes, but we seldom realize that we are apes.
We admit that we are like apes, but we seldom realise that we are apes.
We admit that we are like apes, but we seldom realise that we are apes. Our common ancestor with the chimpanzees and gorillas is much more recent than their common ancestor with the Asian apes - the gibbons and orangutans. There is no natural category that includes chimpanzees, gorillas and orangutans but excludes humans.
Because gender can be uncomfortable, there are easy ways to close this conversation. Some people will bring up evolutionary biology and apes, how female apes bow to male apes - that sort of thing. But the point is this: we are not apes. Apes also live in trees and eat earthworms. We do not.
Even as the nineteenth century had to come to grips with the notion of human descent from apes, we must now come to terms with the fact that those apes were stoned apes.
He ["the male"] is trapped in a twilight zone halfway between humans and apes, and is far worse off than apes, because he is, first of all, capable of a large array of negative feelings that the apes aren't - hate, jealousy, contempt, disgust, guilt, shame, disgrace, doubt - and, secondly, he is aware of what he is and isn't.
ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.
In a weird way, if you look at all the 'Apes' movies, they all seem like different stories in the same universe. 'Beneath the Planet of the Apes' is definitely a continuation, but the other ones jump all around chronologically.
Once you were apes, yet even now man is more of an ape than any of the apes.
What I thought was so great about Rise [of the Planet of the Apes ] was that it wasn't a retelling; it was an entering of the universe at a different point. So it's Planet of the Apes. We already know the ending. There's no mystery in that! It becomes Planet of the Apes. So it's not about what is at the end; it's about how did we get there? And that enabled something that was totally fresh, which was an ape-point-of-view movie.
Apes are apes, though clothed in scarlet.
The fact that the apes exist and that we can study them is extremely important and makes us reflect on ourselves and our human nature. In that sense alone, you need to protect the apes.
Like some of my other movies, 'Conquest Of The Planet Of The Apes' is also a very political film, and many critics still consider it even the best of all the Apes movies, because it conveys a series of political viewpoints.
The problem of the apes is not a shortage of money, it is a shortage of strategy. Let us devote our minds... the one thing we have more of than other apes... and let's secure their future.
Darwin wasn't just provocative in saying that we descend from the apes - he didn't go far enough. We are apes in every way, from our long arms and tailless bodies to our habits and temperament.
I thought this was the most incredible opportunity. Because 'Planet Of The Apes,' aside from the fantasy element of talking apes, is such an amazing franchise, because under the surface of that genre, you're actually looking at human nature.
Even in the important matter of cranial capacity, Men differ more widely from one another than they do from the Apes; while the lowest Apes differ as much, in proportion, from the highest, as the latter does from Man.
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