A Quote by Richard Dawkins

I've seen [Lalla Ward] episodes of "Doctor Who." They're good, at least partly because the scripts were written by Douglas Adams. — © Richard Dawkins
I've seen [Lalla Ward] episodes of "Doctor Who." They're good, at least partly because the scripts were written by Douglas Adams.
I think it crucial to recognize that you can't straightforwardly "adapt" Douglas Adams. Douglas's genius was uniquely his own. What I've tried to do here, and in every other version, is to be true to the character and the Adams' tone and approach to narrative, his unique brand of word-play and "idea-play" humor.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.
It's important to remember that, in the 1930s, a lot of people in the West looked at communism as a pretty good idea. That was partly because they didn't know how bad things were on the communist side of the world, but it was also partly because things were bad in the West.
I'm a fan of Douglas Adams, yes.
I think Douglas [Douglas Adams] was a real one-off. He was so clever and so intelligent and so well read in real science that he could make science fiction work as well as it did. And just such fun to have around, he was just such a lovely man.
I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.
I think I get some of my love of adult books that can be fun from Douglas Adams.
When the first emperor wanted to unify the country, one of the major policies was to create one system of written signs. By force, brutal force, he eliminated all the other scripts. One script became the official script. All the others were banned. And those who used other scripts were punished severely. And then the meanings of all the characters, over the centuries, had to be kept uniform as a part of the political apparatus. So from the very beginning the written word was a powerful political tool.
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.
I think Douglas [Adams] is writing with an eye to irony for adults at the same time as entertaining children.
In 1990 there were about 300 scripts being written demanding the release of Nelson Mandela. And suddenly we watched Mandela walking out of prison. So those scripts had to be destroyed.
David Wong is like a mash-up of Douglas Adams and Stephen King . . . ‘page-turner’ is an understatement.
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