A Quote by Richard Dawkins
I'm easily persuaded that a really good novelist who gets inside somebody else's head could be serving a valuable purpose. I enjoy satirical novels that take a wry, humorous, ironic look at modern life.
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We can carry the burden of hurt throughout our lives. We can make the hurt that we have experienced the defining aspect of our stories of ourselves. That means that somebody else gets to say who we are, somebody else gets to decide how we feel, and somebody else gets to decide how we see the world. Forgiveness not only frees us from the burden of someone else's opinion of us, but it allows us the opportunity to really write a story of ourselves that we can love, enjoy, relish, and live into.
There is only one expert who is qualified to examine the souls and the life of a people and make a valuable report - the native novelist. ... And when a thousand able novels have been written, there you have the soul of the people; and not anywhere else can these be had.
Fighting causes you to face life head on, because you could end up seriously getting hurt, and you could hurt somebody else. It causes both people to face the reality that we are fragile beings, but it doesn't mean we can't enjoy ourselves in the process and punch each other in the face and have a good time.
I've always felt that God, himself, has chosen me for his purpose, for higher callings whether it's to be an inspiration to somebody else's life, whether it's to change somebody else's life, or whether it's to be that support or light in somebody else's life.
I always figure, you come to a party, you gotta know somebody. And somebody leads to another person and leads to somebody else, somebody else. That's one of things that I really enjoy doing.
I think in Washington we have bigger issues than people being outraged by somebody else's tweet. They need to look themselves in the mirror and figure out whether they're serving the country or they're serving their party or their own interests.
My films, sometimes, have my own reflections of life. They have life lessons I've had that I put across in a humorous or satirical way.
Sir,’ said Stephen, ‘I read novels with the utmost pertinacity. I look upon them--I look upon good novels--as a very valuable part of literature, conveying more exact and finely-distinguished knowledge of the human heart and mind than almost any other, with greater breadth and depth and fewer constraints.
There's a happiness about me, a confidence and a happiness that I didn't have when I was younger. You feel good inside, you look good outside. I feel like I look like somebody who's having a good life, who's enjoying it a little better than I did before. You can be really good-looking in your twenties but feel miserable, and people just sort of walk away.
Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now.
Look at Gleason in The Honeymooners. He was humorous but the way he lived wasn't really humorous. He was a bus driver. Who wants to be a bus driver? He didn't have any money and he was not famous. But despite that, the show is humorous.
You'll never know why you exist, but you'll always allow yourselves to be easily persuaded to take life seriously.
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
Serving reconnects people to purpose. Serving someone else's dream empowers not just us, but them.
Although the skills aren't hard to learn, finding the happiness and finding the satisfaction and finding fulfillment in continuously serving somebody else something good to eat, is what makes a really good restaurant.
When I'm writing novels, even screenplays, it's never an actor I have in mind; it's always the version in my head of who the character is. Once somebody gets cast, I have to adjust a little bit to who they are.
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