A Quote by Richard Dawkins

I'm quite a softy, yes. I have a blank spot with respect to visual art, but I have perhaps a compensating hypersensitivity to poetry and music. — © Richard Dawkins
I'm quite a softy, yes. I have a blank spot with respect to visual art, but I have perhaps a compensating hypersensitivity to poetry and music.
- With respect, Professor McGonagall, I'm not quite sure you understand what I'm trying to do here. - With respect, Mr. Potter, I'm quite sure I don't. Unless - this is a guess, mind - you're trying to take over the world? - No! I mean yes - well, NO! - I think i should perhaps be alarmed that you have trouble answering the question.
I wanted to create this dialogue between music and visual art and vice versa. No matter what part of the spectrum they fill, whether it's visual, music, or whatever, artists are interested in other art forms. Your brain is already kind of firing in that way.
From the moon, the Earth is so small and so fragile, and such a precious little spot in that Universe, that you can block it out with your thumb. Then you realize that on that spot, that little blue and white thing, is everything that means anything to you — all of history and music and poetry and art and death and birth and love, tears, joy, games, all of it right there on that little spot that you can cover with your thumb. And you realize from that perspective that you’ve changed forever, that there is something new there, that the relationship is no longer what it was.
To me, photography is not just a visual art, but something closer to poetry - or at least to some poetry, such as the haiku.
Art, in the widest sense of the word, is the instrument Hellenism has used and would use for that purpose. All the arts, poetry, music, ritual, the visual arts, the theatre, must work singly and together to create the most comprehensive art of all, a humanized society, and its masterpiece, the free man.
Visual media is the dominant art form in our present day culture, whereas poetry is, at best, a proxy. Yet poetry and film are both "dream factories."
Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.
Sometimes when I write lyrics there are images in them, usually on a quite simplistic level, like colors. But most often music comes first and then later I sit down with visual people and we chat about what we want to do. I don't look at myself as a visual artist. I make music.
Art works because it appeals to certain faculties of the mind. Music depends on details of the auditory system, painting and sculpture on the visual system. Poetry and literature depend on language.
Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?
Obviously, something like ballet, you have music, you dance with the music and it's a very direct connection. With visual art, when there's no music that accompanies the art, such as great masterworks in a museum, you wind up interpreting what the artist is doing, how the artist made that work and what they're conveying.
Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.
If I were twenty or thirty years younger, I would start afresh in this field with the certainty of accomplishing much. But I should have to learn from the bottom up, forgetting the theatre entirely and concentrating on the special medium of this new art. My mistake, and that of many others, lay in employing "theatrical" techniques despite every effort to avoid them. Here is something quite, quite fresh, a penetrating form of visual poetry, an untried exponent of the human soul. Alas, I am too old for it!
What science cannot declare, art can suggest; what art suggests silently, poetry speaks aloud; but what poetry fails to explain in words, music can express. Whoever knows the mystery of vibrations indeed knows all things.
John Cage is someone I got into as a visual artist, before I even knew his music. I don't think a lot of people even know that he does visual art.
Music has always been a part of me and art in general. I love visual art as well.
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