A Quote by Richard Dawson
About 30 million people see me every week - I'm a happy man.
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You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.
If you've got a shot at having some 30 million people give you thumbs up or thumbs down every week, you take it.
I think, it was like 30 million dollars the Libertarians talk about that it cost them to get on the ballot. We don't have 30 million dollars. We're a people powered campaign.
The current market cost for a space flight, about a week in space and about six people have gone with the Russians so far to the International Space Station; it costs about $30 to $35 million. So, it's not for the faint of heart. But our own market studies that we've commissioned as well as some public market studies all indicate that there are somewhere around 20 or so individuals every year who have both the means and the interest to do this. So, the market is definitely out there.
Many people say, "When I get a million dollars, then I'll be happy because I'll have security," but that's not necessarily so. Most people who acquire a million dollars want another and then another. Or they could be like a good friend of mine who made and lost every dime of a million dollars. It didn't bother him a bit. He wasn't excited about it, but he explained to me, "Zig, I still know everything necessary to make another million dollars, and I've learned what to do not to lost it. I'll simply go back to work and earn it again.
When I was on 'Head of the Class,' 25 million, 30 million people would watch that every night - now a big hit doesn't get a third of that audience.
What a shock that a guy who makes $2 million a week behaves exactly like I would with $2 million a week. As far as I’m concerned, if you make $2 million a week and you don’t have a hooker in your hotel room, you’re creepy and I don’t trust you. And I don’t do drugs at all, so for me it would just be more prostitutes. That’s how they would find me. I would be dead on the floor, flattened by a pile of prostitutes. I’d look like a cat in a hoarders’ house.
If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.
No politician in a European sense is happy with 26 million people unemployed. Nobody can be happy with 6 to 9 million young people unemployed. You have to give them hope and confidence and a sense of inspiration that the European process is actually about people, not about bureaucracy.
It's the ultimate goal every day you wake up, to be happy. At the end of the week, you want to be happy. Happy in love, happy in work, happy in life, happy with yourself. It's pretty simple.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
The other day I read that last year 58 million tourists came to New York ... where a puny eight million people are trying to live. Unless they own a hotel chain, I don't think a single one of these eight million people are happy about this.
After I talk to so many people who are so unhappy about their weight and so depressed that they don't see any rainbows in their life, after I talk to about 30 of those, then I try to walk away and pet my dog, just do something that makes me happy.
I started doing runway work when I was 15, and I remember meeting a model who was 30 - ancient, for the industry - and everyone was so happy to see her. As I've gotten older, I've experience the same thing. People are just thrilled to see me modeling!
You don't get a script sent to you for two years, it crosses your mind, 'Gee, what's going on?' Then five years pass, and pretty soon a decade has gone by. Finally, you say to yourself, 'Well, if in fact that's it, then let me be happy with 30 pictures that made about $460 million and pictures that made a lot of people laugh.'
How can a guy talk about $20 or $30 million if he's never even made $8 or $9 million?
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