A Quote by Richard Diebenkorn
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression
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All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
When the muse hits me, or the mood, or whatever it is, I get my guitar out and I empty it out. I just start going through things to see what's going to happen.
I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.
The trouble is that when you read criticisms about the other films that I've made you get the impression that they're all about themes, or problems, or ideas. But those are actually things that develop out of characters, out of images and out of other things. These more abstract things develop while working on the material, and out of it. It's not a theoretical exercise from the outset.
Sometimes people try to read into my strip and find out what my state of mind is. And I can say if I'm in a good mood, generally the comic strip starts out in a good mood, but the punchline is very negative and sour.
If a girl starts out all casual with a guy and she doesn't tell him that she wants a relationship, it will never become a relationship. If you give the guy the impression that casual is okay with you, that's all he'll ever want. Be straight with him from the start. If he gets scared and runs away, he wasn't right for you.
The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.
My mood depends on how I treat my toothbrushes. Being a skipper is a strenuous job, and when you are going through a rough phase, obviously you start taking out your frustration. You can't take it out on anyone: you can't take it out on your teammates or your wife. The only person that is left is your toothbrush.
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
Ten out of ten people die. You start thinking about that and it really makes you start to ask the big questions: Where did I come from? Where am I going when I die? What happens when we step out of here? What's out there?
You start by copying other people's paintings or music or whatever. You get all of those skills before you branch out. Really creative people have a fantastic ability to copy things and then combine them in new ways. And whether we're talking about genes or memes, recombination is the real heart of creativity.
The only way I know as a director is to figure out what the film is about. And out of the theme and the sense of what the film is about, all those decisions start to make sense. But to find that truth within it, you have to limit your possibilities and limit your choices. That's where this visual language grows out of.
I had a three year relationship end. Ever have somebody just freak out on you in a relationship? Things are going great. After three years she wants to run out and find a guy that doesn't hit her.
Now, the relationship the storyteller has with the audience is a much higher quality relationship. You treat them with a lot more intelligence because the truth is that it's not my fault if you don't know what's going on. There are plenty of ways for you to find out. You can talk to all kinds of people, and you've got access to all this information. The onus is no longer on us, as a storyteller, to tell you. You can go out and find out yourself.
Above all, a horse should never be chastised out of foul mood or anger, but always with complete dispassion.
I want to be able to help out and give back to people and give them something nice to be able to train at and get a chance to get a head start on things. And just continue to push out my brother's story while I reach out to kids.
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