A Quote by Richard Diebenkorn
I would like the colors, their shapes and positions to be arrived at in response to and dictated by the condition of the total space at the time they are considered.
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Before, I would just only stick to a few certain colors that were considered good for my skin tone and good for my hair. But ever since 'Stranger Things,' the wardrobe people there, they would always stick me in these super bright colors. I discovered all these new colors that I just like wearing.
My reluctance to use alien invasion is due to the feeling that we are not likely to be invaded and taken over. It would seem to me that by the time a race has achieved deep space capability it would have matured to a point where it would have no thought of dominating another intelligent species. Further than this, there should be no economic necessity of its doing so. By the time it was able to go into deep space, it must have arrived at an energy source which would not be based on planetary natural resources.
[Nikola Tesla] was thinking of parts actually moving, like exchanging positions in space through time. This would go over here, then that would go over there, and then something else would happen.
Abstraction didn't have to be limited to a kind of rectilinear geometry or even a simple curve geometry. It could have a geometry that had a narrative impact. In other words, you could tell a story with the shapes. It wouldn't be a literal story, but the shapes and the interaction of the shapes and colors would give you a narrative sense. You could have a sense of an abstract piece flowing along and being part of an action or activity. That sort of turned me on.
I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.
But hunger, like food, comes in many shapes and colors.
If there were no world, no time, no space, no condition, if none of us existed, that would be meditation.
Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.
If you came from the future and you arrived here, what would you be like? Would your immune system be depressed from that travel? Would you be well? Would you be ill? Would you be affected by micro-organisms of the time period and be hiding out in a basement? How would it all work, practically?
It is not by his mixing and choosing, but by the shapes of his colors, and the combination of those shapes, that we recognize the colorist. Color becomes significant only when it becomes form.
Solitude is a condition of peace that stands in direct opposition to loneliness. Loneliness is like sitting in an empty room and being aware of the space around you. It is a condition of separateness. Solitude is becoming one with the space around you. It is a condition of union. loneliness is small, solitude is large. loneliness closes in around you; solitude expands toward the infinite. loneliness has its roots in words, in an internal conversation that nodbody answers; solitude has it's roots in the great silence of eternity.
I've never had an 'I've arrived' moment. I don't like that word, 'arrived.' If you say you've arrived, then you've achieved your dream. You've done all you can. 'I'm the guy now.' I don't like that.
Ultimately, I don't really want to see the media portraying curvier and fatter bodies being the norm, I want to see a variety of bodies of all shapes, sizes, colors, and orientations, all of the time just like we do in reality.
If we will admit time into our thoughts at all, the mythologies, those vestiges of ancient poems, wrecks of poems, so to speak, the world's inheritance,... these are the materials and hints for a history of the rise and progress of the race; how, from the condition of ants, it arrived at the condition of men, and arts were gradually invented. Let a thousand surmises shed some light on this story.
I can see forms and shapes in my mind when I solo, just as a painter can see forms and shapes when he starts painting. And I can see different colors.
Psychologically time is seldom homogenous but rather is as full of shapes as space.
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