A Quote by Richard Dormer

Sometimes you even start to sound like the character because you're living and breathing them every day on the set. It gets into your bones. — © Richard Dormer
Sometimes you even start to sound like the character because you're living and breathing them every day on the set. It gets into your bones.
Sometimes you even start to sound like the character, because you're living and breathing them every day on the set. It gets into your bones, it becomes a part of you.
Generally, you are held to a sound and that becomes your sound. That gets branded as your sound, and all the copycats start with it because the labels are looking for that sound.
One day I was living silently in a personal hell, without anyone to tell what I felt, without even knowing that the feelings I had were possible to have; and then one day I was not living like that at all. I had begun to see the past like this: there is a line; you can draw it yourself, or sometimes it gets drawn for you; either way, there it is, your past, a collection of people you used to be and things you used to do. Your past is the person you no longer are, the situations you are no longer in.
You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track.
Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
And in fact I don't believe there is such a thing as a definitive picture of something. The land is a living, breathing thing and light changes its character every second of every day. That's why I love it so much.
I laugh every day. There are days when my laughs are pretty hollow. Dust comes out of your mouth, and your bones make a funny sound. But I'm laughing.
I've seen men like you in Doris Day films, but I never thought they existed in real life...The men who can't commit, who can't say 'I love you' even when they want to, who start to cough and sputter and change the subject. But here you are. A living, breathing specimen. Incredible.
When you're on set, the crew are like your family because you see them every day, six days a week.
These rovers are living on borrowed time. We're so past warranty on them. You try to push them hard every day because we're living day to day.
When it gets going bad and it gets going to where all these things are happening around you, the thing that stands out most is your character. You have to make sure you keep your character and your wits about you, because at the end of the day, it might be bad for a little while, but if you're a good coach it all works out.
I like doing the readings and the autographing, but the interviewing gets a little tedious because you get asked the same questions every day and sometimes three or four times a day.
If you want to put far more living in your life, start living every day as if it was your last.
We're looking at dozens, sometimes hundreds of things every day in articles, videos, and we never look at them again. Even if we do like them, even if we tweet them out to all of our followers on Twitter, we don't return to it.
If riches increase, set not your hearts upon them: so if friends increase, set not your hearts upon them, but trust in the living God, let it be the living God that you rest on even for all outward things in this world.
Hug your children...Kiss your mothers and fathers, your brothers and sisters. Tell them how much you love them, every day. Because every day is the last day. Every light casts a shadow. And only the gods know when the darkness will find us.
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