A Quote by Richard E. Grant

When I came to England, the first director I met was Charles Sturridge, who told me, 'You speak like somebody out of the 1950s.' — © Richard E. Grant
When I came to England, the first director I met was Charles Sturridge, who told me, 'You speak like somebody out of the 1950s.'
When I came to England, the first director I met was Charles Sturridge, who told me, 'You speak like somebody out of the 1950s.
My first heartbreak was extreme. I went to Australia for 10 months when I was at school and told the girl I was madly in love with not to come out to see me - and of course, when I came back, she met me at the airport to tell me she'd met someone else.
Many years later, after Niemöller had been imprisoned for eight years in concentration camps as the personal prisoner of Adolf Hitler, he penned these infamous words: First they came for the Socialists, and I did not speak out - because I was not a Socialist. Then they came for the Trade Unionist, and I did not speak out - because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out - because I was not a Jew. And then they came for me - and there was no one left to speak for me.
The irony about Charles II is not that he came to the throne because England needed a successor to Charles I, but because England needed a successor to Oliver Cromwell.
Scott Frank and I are director friends. We met through the Sundance Labs and he's advised me on my first projects - I've visited him on set, we've shared first cuts with each other, and we're more like director pals than anything else.
The first time I shared my music and style with my mom, she said, 'Boy, you look like you came right out of the 1950s.'
It would be impossible for me to say when the idea of becoming an owner first came to me. Probably it was a gradual process. The first time the matter was brought to my attention in a concrete form, however, was when Charles Murphy was selling out his controlling interest in the Chicago Cubs.
I think, to be honest, sort of emanated from the initial work of somebody else instead of SCLC. If you take Albany; I don't know whether you recall how Albany got started. There were two little guys who went up there first. One was Cordell Hull who was then in his teens - not Cordell Hull - Cordell Reagan, who came out of the Nashville movement, and Charles Sherrod, who came out of the Richmond, Virginia, movement.
John Lewis is such a remarkable human being. Literally, such a beautiful human being. I remember the first time I met him. We were in the middle of a scene and [Selma director] Ava DuVernay calls, "Cut," and then he literally just came in. He just came walking in.I just froze. I can't explain the feeling. Seeing somebody who was literally a living hero. He was a hero.
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
I lived in England to learn English. When I went to England for the first time, it was like being on the Moon. I had no friends, I couldn't speak the language. I was very isolated.
I first met Jimbo Wales, the face of Wikipedia, when he came to speak at Stanford.
I signed for Mohun Bagan and then I got the news that Bhaichung also joined the club. The first day he met me he told me that I have heard about you and you are doing well. I told everyone in my family and friends that Bhaichung told me that.
A lot of people told me not to come to the Premier League because of the physical demands, especially if I came straight from Brazil to England. But it's not been like that.
The first time I met Prince he invented me to his birthday party in Minneapolis. It was a costume party and I came as a beatnik - a beret and a charcoal goatee. He was dressed like an executioner. I talked to him for awhile and he didn't know who I was, and when I told him he was real surprised.
I went to Glenalmond and got the piss taken out of me for my Glasgow accent. Then I spent five years at this very posh school, came out sounding like Prince Charles, which you have to do in order to survive, and then I got called Lord Fauntleroy for the first six months at art school.
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