A Quote by Richard Edelman
We're promoting the concept of public engagement. It's as much about what clients do as how they say it. It's about being in people's lives, taking on relevant, of-the-moment issues.
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I don't much like being a public figure, because so often how people appear is not how they really are, and I think one of the issues about our society is that we make judgments about people on the basis of very flimsy evidence.
That's the thing about music: It's forever. Hopefully, you captured a moment musically that has a timeless quality people will find relevant to their lives at any point. That's the whole idea about what I love about art and music.
I think that language matters. I think that people who are in public life have an opportunity to help the public understand issues and understand the urgency of issues. And to that extent, I think it is important how issues are talked about.
If one takes a public stand against, say, most any sin you can think of, one is considered "courageous" and a "defender of the faith." Folks will quickly applaud you and tell you how much they admire you for "taking a stand" on biblical truth. Except if you quote Matt. 5:44 and invite people to apply it in any sort of meaningful, literal way. The moment one begins to talk about loving your enemies they all of a sudden become "liberals," "extremists," or are accused of completely taking an otherwise straight forward passage "out of context.
How much of what people say in politics is for the moment, meant for the moment, meant only to satisfy an emotional demand or requirement of the moment, but it is not really sincere? My view of people in politics is that most of what they say is not sincere during campaigns about other Republicans.
I see a huge, huge divide between the people who are facing the most barriers and violence and the kinds of stories being told in mainstream American politics. The issues that I think most about - how many people's lives are being affected by prisons and policing, how many people's lives are being affected by immigration enforcement and deportation - those stories aren't being touched, let alone told, in mainstream politics.
When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
The social media thing is insane: the constant engagement with the public, not even just your fans. It's not really about the music; it's about how you can be seen.
I think, at some level, we see young people all over the country mobilizing around different issues, in which they're doing something that I haven't seen for a long time. And that is, they're linking issues together. You can't talk about police violence without talking about the militarization of society in general. You can't talk about the assault on public education unless you talk about the way in which capitalism defunds all public goods. You can't talk about the prison system without talking about widespread racism. You can't do that. They're making those connections.
I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
I think we're going to start to see a new model of civic advocacy where people get together once in a while to protest, but it's more about an ongoing, sustained engagement in issues, networks and communities about which people care.
It was the Cosby issue that made me realize how much I really cared about women's issues and how much I realize it's important for me to be an advocate for issues that aren't necessarily my own, to be an ally for issues.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
Nothing's about taking risks as much as doing stuff that other people haven't done before. Just like in racing, it's not about taking risks but trying to figure out how to be faster.
I know what to say, how to say it, how to bring profile to the issues I care about and people want to listen to me.
The biggest challenge and the thing I find most enjoyable about being a designer is taking everything in and assimilating it for your perspective, hopefully making it relevant and interesting to people.
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