A Quote by Richard Flanagan
I think sometimes writers must attempt to communicate the incommunicable, because, whether they wish it or not, they're the ones to whom it falls.
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The following are the universally fundamental laws of literary communication: 1. one must have something to communicate; 2. one must have someone to whom to communicate it; 3. one must really communicate it, not merely express it for oneself alone. Otherwise it would be more to the point to remain silent.
Language exists to communicate whatever it can communicate. Some things it communicates so badly that we never attempt to communicate them by words if any other medium is available.
Normally writers do not talk much,because they are saving their conversations for the readers of their book- those invisible listeners with whom we wish to strike a sympathetic chord.
That I was not dueling with the king, but trying to communicate with him, was itself an incommunicable fact.
There are writers you admire, for the skill or the art, for the inventiveness or for the professionalism of a career well spent. And there are writers-sometimes the same ones, sometimes not-to whom you are powerfully attracted, for reasons that may or may not have to do with literary values. They speak to you, or speak for you, sometimes with a voice that could almost be your own. Often there is one writer in particular who awakens you, who is the teacher they say you will meet when you are ready for the lesson.
To those humans in whom I have faith; I wish suffering, being forsaken, sickness, maltreatment, humiliation. I wish that they should not remain unfamiliar with profound self-contempt, the torture of self-mistrust, and the misery of the vanquished. I have no pity for them because I wish them the only thing that can prove today whether one is worth anything or not—that one endures' . . . Remember, the passion for destruction is also a creative passion.
I love television because it's the most alive, because you don't know how it's going to end. It's a living thing. Sometimes the writers are watching you to see how things will unfold. Sometimes the writers have written it, and you come to it, and they have to change their way of going because of what you've done.
Have a vision; but it's not enough to have a vision, you have to communicate that vision to others. You have to communicate it to people who work with you and for you. You have to communicate it to the world leaders with whom you come in touch.
Whether it is an attempt to bomb the New York City subway system, an attempt to bring down an airplane over Detroit, an attempt to set off a bomb in Times Square ... I think that gives us a sense of the breadth of the challenges that we face, and the kinds of things that our enemy is trying to do.
Whether it is an attempt to bomb the New York City subway system, an attempt to bring down an airplane over Detroit, an attempt to set off a bomb in Times Square... I think that gives us a sense of the breadth of the challenges that we face, and the kinds of things that our enemy is trying to do.
Writers are human. I shudder to think how I must sometimes appear to others.
Writers - human. I shudder to think how I must sometimes appear to others.
For me, language is about the impossibility of communicating what we precisely wish to communicate and this gorgeous attempt that we make to do that anyway. I love that we will never say exactly what we mean, but we will forever keep trying.
it is not unusual to hate great writers before we learn to love them. Because they have created something that did not yet exist, they must also create their audience. Sometimes the audience is not yet ready. Sometimes it has yet to be born.
Writers don't want to appear to be stupid. I don't know - maybe people become writers so that they can prove that they're not. Of course getting a book published doesn't mean that they're not stupid. At a certain point you have to stop trying to prove something and write because you need to think about something and want to communicate, in a very broad sense.
You're often looking at writing from writers who, for the most part, are working in forms that traditionally fit into other genres. But sometimes, in the midst of their better-known stuff, there's this wayward thing, and because it's wayward it isn't considered representative of their work, so it falls through the cracks.
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