A Quote by Richard Flanagan

I think empathy's a terrible danger for a writer. — © Richard Flanagan
I think empathy's a terrible danger for a writer.
I think one of my better gifts as a writer is empathy.
I think the most important quality for a writer to have is empathy.
Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling... When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are, delightful, as we every day experience.
As a writer, I think the greatest danger would be self-censorship.
I don't think conservativism is about a deficiency. I think it's about a commitment to an ideology that has to in some ways devalue the usefulness of empathy. I do think empathy can be learned. And enhanced.
People avoid action. Often because they are afraid of the consequences, for action means risk and danger. Danger seems terrible from a distance; it is not so bad if you have a close look at it
There's a danger zone if you take yourself too seriously. It's a terrible trap to fall into. I think it's the death of comedy.
I am a terrible, terrible typist. I could not have been a writer in the age of typewriters.
The danger of psychedelic drugs, the danger of mind-opening, the danger of consciousness expansion, the danger of inner discovery is a danger to the establishment.
Empathy isn’t just listening, it’s asking the questions whose answers need to be listened to. Empathy requires inquiry as much as imagination. Empathy requires knowing you know nothing. Empathy means acknowledging a horizon of context that extends perpetually beyond what you can see.
I think you get mentally ill being homeless. Most of the bag ladies wind up mentally ill pretty quickly - what people would call paranoid - because they are in such danger. I don't know if it's really paranoia because they are in great danger. Terrible things happen to them, and they lose everything. How could they not become at the very least severely depressed?
I believe in empathy. I believe in the kind of empathy that is created through imagination and through intimate, personal relationships. I am a writer and a teacher, so much of my time is spent interpreting stories and connecting to other individuals. It is the urge to know more about ourselves and others that creates empathy. Through imagination and our desire for rapport, we transcend our limitations, freshen our eyes, and are able to look at ourselves and the world through a new and alternative lens.
Empathy is cloaked in our actions - as in, we might be experiencing empathy but not realize it's empathy.
Don't be discouraged if you think you're not a great writer because terrible writers are successful in Hollywood
Just to get the basic fundamentals and empathy - I think that's the most important thing to bring to it if you've acted in the past and are now a director: the empathy.
I told you once that I was searching for the nature of evil. I think I've come close to defining it: a lack of empathy. It's the one characteristic that connects all the defendants. A genuine incapacity to feel with their fellow man. Evil, I think, is the absence of empathy.
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