A Quote by Richard Flanagan
God gets the great stories. Novelists must make do with more mundane fictions.
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Even the most scientific investigator in science, the most thoroughgoing Positivist, cannot dispense with fiction; he must at least make use of categories, and they are already fictions, analogical fictions, or labels, which give us the same pleasure as children receive when they are told the "name" of a thing.
Our vision is to break the projects into stories that must be told, stories that we would like to tell and stories that people go to movies for. If we can find great scripts that fit these three categories, we will go out and make a movie.
Southerners make good novelists: they have so many stories because they have so much family.
You must every day make higher ground. You must deny yourself to make progress with God. You must refuse every- thing that is not pure and holy. God wants you pure in heart. He wants you to have an intense desire after holiness... Two things will get you to leap out of yourselves into the promises of God today. One is purity, and the other is FAITH, which is kindled more and more BY PURITY.
Great novelists are philosopher novelists - that is, the contrary of thesis-writers.
Beginning in the 1920s and 1930s, film has been a shadow thrown over the minds of all novelists. Ever since, novelists have strained to make themselves more relevant and, whether consciously or not, novel-writing has been influenced by cinematic doctrines - by turns, embracing and defying it.
It is great, and there is no other greatness-to make one nook of God's Creation more fruitful, better, more worthy of God; to make some human heart a little wiser, manlier, happier-more blessed.
Here was the rub: one must be more zealous to please God than to avoid sin. One must sacrifice oneself utterly to God's purposes, even to the point of possibly making moral mistakes. One's obedience to God must be forward-oriented and zealous and free, and to be a mere moralist or pietist would make such a life impossible.
Great brands and great businesses have to be great storytellers, too. We have to tell stories - emotive, compelling stories - and even more so because we're nonfiction.
We're horribly mundane, aggressively mundane individuals. We're the ninjas of the mundane, you might say.
I see God now as an unimaginative writer of popular fictions, someone who builds stories around sadistic and graceless plots, narratives that exist only to express His terror of a woman's power to choose who and how to love, to redefine love as she sees fit, not as God thinks it ought to be. The author is unworthy of His own characters.
The theology of the hammer embraces wholeheartedly the idea that the love of God and love of man must be blended. The word and the deed must come together. One without the other is devoid of meaning … As the deed gets closer to the word, God gets closer to us. The results are always wonderful — and sometimes spectacular!
All the stories are fictions. What matters is which fiction you believe.
In the end, all worlds, whether they're set in the future or in New Jersey of today, are fictions. Sure, you don't got to do too much work to build a mundane world, but don't get it twisted: you still got to do some work.
All the great novels, all the great films, all the great dramas are fictions that actually tell us the truth about us or about human nature or about human situations without being tied into the minutia of documentary events. Otherwise we might as well just make documentaries.
Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something.
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