A Quote by Richard Flanagan
Writing my novel 'The Narrow Road to the Deep North,' I came to conclude that great crimes like the Death Railway did not begin with the first beating or murder on that grim line of horror in 1943.
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I think if 'The Narrow Road To The Deep North' is one of the high points of Japanese culture, then the experience of my father, who was a slave laborer on the Death Railway, represents one of its low points.
'The Narrow Road to the Deep North' is one of the most famous books of all Japanese literature, written by the great poet Basho in 1689.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
As governor, I came to believe that the death penalty would be a just punishment for certain, especially heinous crimes, such as the murder of a child or the murder of a police officer. The events of September 11 convinced me that terrorists also deserve the ultimate punishment.
My favourite British line is the West Highland line. It was built across moorland where no one had succeeded in building a road. So everything in that area is there because of the railway line.
A man convicted of murder is twenty times more likely than a woman convicted of murder to receive the death penalty. Since the 1976 reinstatement of the death penalty, 120 men and only 1 woman have actually been executed. The woman, from North Carolina, said she preferred to be executed. In North Carolina, a man who commits second-degree murder receives a sentence on average of 12.6 years longer than a woman who commits second-degree murder.
I like horror, but I tend to like it as seasoning. I'd get very bored if I was told I had to write a horror novel. I'd love to write a novel with horror elements, but too much, and it doesn't taste of anything else.
My father was a Japanese prisoner of war, a survivor of the Thai-Burma Death Railway, built by a quarter of a million slave labourers in 1943. Between 100,000 and 200,000 died.
A large part of the appeal of this novel when I was lucky enough to stumble across the story idea for 'A Head Full of Ghosts' was that I'd finally be writing a horror novel. In a lot of ways, the book is both my criticism of and love letter to horror.
I spent years only ever reading horror and then trying to write horror - and deep down, a horror writer is still what I'd love to be. But it wasn't until I started writing crime that things began to work for me.
It's more like I write multiple first drafts, handwritten. So with my first novel, I wrote whole drafts from different points of view. There are different versions of that novel in a drawer on loose-leaf sheets. I won't even look at the first draft while I'm writing the second, and I won't look at the second before writing the third.
As long as Muslims cross this red line - if they commit crimes, if they start beating up women, if they start the genital mutilation, if they start to commit other crimes and honour killings as they unfortunately do in Western Europe many times - if they do that, I believe we should expel them, the same day if possible, from our country.
When I was writing my first novel, I smoked cigarettes. And when I think about what it was like to smoke, I remember exactly the feeling of sitting in front of my big old computer in that little room where I wrote my first novel.
I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.
We came to the house, and it is an old house, full of great chimneys where wood is burnt on ancient dogs upon the hearth, and grim portraits (some of them with grim legends, too) lower distrustfully from the oaken panels of the walls.
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