A Quote by Richard Flanagan

'The Narrow Road to the Deep North' is one of the most famous books of all Japanese literature, written by the great poet Basho in 1689. — © Richard Flanagan
'The Narrow Road to the Deep North' is one of the most famous books of all Japanese literature, written by the great poet Basho in 1689.
I think if 'The Narrow Road To The Deep North' is one of the high points of Japanese culture, then the experience of my father, who was a slave laborer on the Death Railway, represents one of its low points.
Writing my novel 'The Narrow Road to the Deep North,' I came to conclude that great crimes like the Death Railway did not begin with the first beating or murder on that grim line of horror in 1943.
As any student of literature knows, the books that last are often not the books that are most popular when they are written. Both 'Moby Dick' and 'The Great Gatsby' were complete failures, critically and commercially, when they first appeared.
Basho is the great poet of Japan, writing in the second half of the 17th century, but his work is still incredibly fresh.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
When the poet's sentiments are overly visible, the audience may become uncomfortable. Japanese ritual is the opposite. By writing simply and only about what is there, the audience is drawn into the poet's world. Their imagination is stimulated, and a silent connection is established. I believe this is where the most important aspect of the Japanese sense of beauty lies.
I am not sure, once a poet has found out what has been written already, and how it was written - once, in short, he has learnt his trade - that he should bother with literature at all. Poetry is not like surgery, a technique that can be copied. Every operation the poet performs is unique, and need never be done again.
There are great science books that were conceived as books. Feynman's famous introductory lectures in physics, which have a beginning and an end, which are written with style.
I didn't read so much Japanese literature. Because my father was a teacher of Japanese literature, I just wanted to do something else.
Maya Angelou, the famous African American poet, historian, and civil rights activist who is hailed be many as one of the great voices of contemporary literature, believes a struggle only makes a person stronger.
I've probably written some books - I know I've written some books that were more interesting to me than to a large audience, but that was mostly when I was first getting started in academia and writing for a narrow audience.
It would be a narrow conception of jurisprudence to confine the notion of "laws" to what is found written on the statute books, and to disregard the gloss which life has written upon it.
One of my favourite Japanese cartoons is 'Yasuragi no Yakata,' written by the famous Fujiko Fujio.
A man of my acquaintance once wrote a poem called "The Road Less Traveled", describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldn't hear him as he cried for help. Sure enough, that poet is dead.
It seems to me that literature is giving way a little bit to the immediacy of other diversions, other forms of entertainment. What will it be in fifty years? I don't know. Will there be printed books? Probably, but I'm not sure. There's always going to be literature, though. I believe that. I think literature has a way of getting deep into people and being essential. Literature has its own powers.
When we are alone on a starlit night, when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children, when we know love in our own hearts; or when, like the Japanese poet, Basho, we hear an old frog land in a quiet pond with a solitary splash - at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, all these provide a glimpse of the cosmic dance.
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