A Quote by Richard Florida
The creative individual is no longer viewed as an iconoclast. He—or she—is the new mainstream.
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Being unhoused in America must no longer be viewed as an individual shortcoming, but rather as an unacceptable, life-threatening policy failure.
One logical consequence of this New Economy composed of big brands and entrepreneurial groups is that the unit of production is no longer a particular, identical product. The unit of production is the creative individual.
Whether these were liberal publications or conservative publications, whether they were mainstream or slightly to the side of the mainstream; out of the mainstream, they all believed that they had the right to tell you how to stylize yourself. And from the New York Times to the much more left-winged nation. And The Voice said, no, whatever you want to. You drew whatever you want to, we'll publish it. Nobody was doing that. Nobody does it today. The Voice is no longer that paper, and editorializing is now in the hands of editors, with few exceptions.
I stand for all those who feel that the government no longer understands the individual and no longer respects individual rights.
She was humbled, she was grieved; she repented, though she hardly knew of what. She became jealous of his esteem, when she could no longer hope to be benefited by it. She wanted to hear of him, when there seemed the least chance of gaining intelligence. She was convinced that she could have been happy with him, when it was no longer likely they should meet.
National socialism is the determination to create a new man. There will no longer exist any individual arbitrary will, nor realms in which the individual belongs to himself. The time of happiness as a private matter is over.
Ours is an age between worldviews, creative yet disoriented, a transitional era when the old cultural vision no longer holds and the new has not yet constellated. Yet we are not without signs of what the new might look like
To the creative individual all experience is seminal-all events are equidistant from new ideasand insights.
It is in playing and only in playing that the individual child or adult is able to be creative and to use the whole personality, and it is only in being creative that the individual discovers the self.
Georg Hegel viewed the "great men" as instruments of something far greater. Hegel believes that an individual can indeed embody the zeitgeist for a moment, but also that the individual isn't always clear they are doing so.
When I wrote the story ["The Cartographers"], I'd just gone through a breakup with a woman I'd loved dearly. Without this other person in my life, the memories we'd shared often felt like phantoms. Who was this person I once loved? Did she still really exist? The answer, on a metaphysical level, was that this person didn't still exist. She'd gone on to become a different person, an individual with new hopes and dreams which no longer involved me.
My mom is one of those people that you feel honored to meet. And no matter who you are, you fall in love with her because she is spiritual, she's inspiring, she's strong, she's funny, she's creative, she's talented... she's everything that I want to be.
Nature must be viewed humanly to be viewed at all; that is, her scenes must be associated with humane affections, such as are associated with one's native place. She is most significant to a lover. A lover of Nature is preeminently a lover of man. If I have no friend, what is Nature to me? She ceases to be morally significant. . .
Disability in the Middle East is viewed through a different lens because you're in wartime countries where it's much more mainstream, so I was just never 'other'd.
I'm completely perplexed how someone who has most of the mainstream media for Hillary Clinton, well all the mainstream media, well most of the media for her, she's got a sitting president - a sitting First Lady far more popular than she'll ever supposed to be, a former president also her husband, the sitting vice president, a thousand people working in Brooklyn, she has all these states locked up and she can't crack 50% and stay there.
I think it's really important as a creative director, to always keep your ears on the ground and always surround yourself with people who've been in the business longer than you to really think of new and creative ways to present your designs to girls.
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