A Quote by Richard Ford

At heart, of course, a story itself is consolation's instrument. — © Richard Ford
At heart, of course, a story itself is consolation's instrument.
If you have no earthly consolation, why do you not seek consolation in the Heart of Jesus? To love him is truest joy.
For those who need consolation no means of consolation is so effective as the assertion that in their case no consolation is possible: it implies so great a degree of distinction that they at once hold up their heads again.
And what it depends on, of course, is whether the story itself is worth the ethical compromise it requires and whether the competition is onto the story.
Consolation has been wrongly reviled. Consolation is not apathy or inaction. It is not closing one's eyes to the evils of the world. Rather, consolation is the first step in regaining personal equilibrium and strength, which necessarily precedes the ability to act.
The basic notion was the idea that the loudspeaker should have a voice which was unique and not just an instrument of reproduction, but an instrument unto itself.
The real security of Christianity is to be found in its benevolent morality, in its exquisite adaptation to the human heart, in the facility with which its scheme accommodates itself to the capacity of every human intellect, in the consolation which it bears to the house of mourning, in the light with which it brightens the great mystery of the grave.
Rash, inexperienced youth holds itself a chosen instrument, and allows itself unbounded license.
What I do with the story itself varies of course, but what I want to do is to present the world so that the reader can access it without tripping over the details.
People think of faith as being something that you don't really believe, a device in helping you believe simply it. Of course that is quite wrong. As Pascal says, faith is a gift of God. It is different from the proof of it. It is the kind of faith God himself places in the heart, of which the proof is often the instrument... He says of it, too, that it is the heart which is aware of God, and not reason. That is what faith is: God perceived by the heart, not be reason.
The heart has its reasons of which reason knows nothing. We feel it in a thousand things. I say that the heart naturally loves the Universal Being, and naturally loves itself; and it gives itself to one or the other, and hardens itself against one or the other, as it chooses...it is the heart that feels God, not the reason; this is faith.
The body is a sensing instrument of consciousness. Without the body and mind, the trees could not see themselves. Usually we think that we are looking at a tree, but the tree is looking at itself through us. Without this instrument, the tree does not get to see itself. We are sensing instruments of the Divine.
There is no consolation for anyone in the Scott Peterson story, and no final illumination.
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
Life is evanescent, but left to itself it rarely fails to offer some consolation.
We are trying to communicate that which lies in our deepest heart, which has no words, which can only be hinted at through the means of a story. And somehow, miraculously, a story that comes from deep in my heart calls from a reader that which is deepest in his or her heart, and together from our secret hidden selves we create a story that neither of us could have told alone.
An intellectual, heartless man never becomes an inspired man. It is always the heart that speaks in the man of love; it discovers a greater instrument than intellect can give you, the instrument of inspiration.
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